An able primer on the role of the Supreme Court in American life, and on the merits—and shortcomings—of American democracy.
An informative, behind-the-scenes view of daily life at the tallest bench in the land.
One of the most ingenious points of American democracy, writes Justice O’Connor (Lazy B, 2001), is its according “dual sovereignty” to the national and state governments; it is also one of its thorniest aspects, a source of constant conflict. Hence, the Supreme Court, which, since the days of John Marshall, has reserved for itself the power to determine whether a given law falls within the bounds of the Constitution. Justice O’Connor looks at a few of the signal cases the Court has heard in the last half-century, such as Brown v. Board of Education; profiles predecessors and colleagues like Thurgood Marshall and Warren Burger; holds forth on practical problems, e.g., jury duty (“It is incumbent upon those who oversee their jury systems to make sure that jury service, for whatever length of time, is bearable”); and exalts the better angels of American democracy, however fragile, witness the principle “that certain fundamental rights, to which every citizen is entitled, mist be placed outside the reach of political exigency.” Throughout, Justice O’Connor writes with lively humor; considering the mounds of paper that cross her desk: for instance, “The Court is a more reliable backstop for the health of the paper industry than any protectionist legislation Congress might pass.” Humor aside, and despite her conservative leanings, she also writes with a sharp sense of appreciation for dissenting views, and she is keenly appreciative of the growing role of women in political decision-making, arguing that “society as a whole can benefit immeasurably from a climate in which all persons, regardless of gender, have the opportunity to earn respect, responsibility, advancement, and remuneration based on ability.”
An able primer on the role of the Supreme Court in American life, and on the merits—and shortcomings—of American democracy.Pub Date: April 15, 2003
ISBN: 0-375-50925-9
Page Count: 336
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
BOOK REVIEW
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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