This is one breakfast to skip.
The faces of a white-bread family—literally—are created on slices of toast with condiment features.
Every member is introduced, one face per page, including pets, grandparents and cousins. Dad Toast has a large pat of butter for a nose, and squiggles of what looks to be apple butter make the mouth, eyes and eyebrows. The image of Brother Toast uses large panels of American cheese and squirts of red jelly to make a baseball hat, two beady eyes and a food-stained mouth. Bold text written in a brown type labels each family member and describes the characteristics of some (“Grandpa Toast, a bald head”). The family cat and dog meow and woof, and Grandma Toast utters the sole line of dialogue: “‘Hi, Honey!’” All of these images were made using kiln-formed glass. The back-cover blurb states that artists Gross and Busch make it their mission to introduce “young children to the wonderful properties of glass.” As talented as they are, why they chose to make a toast family is baffling. Few of the toast faces look appetizing, with cheese, jam, honey and a white substance (cream cheese?) all on one slice of bread. Many of the faces will be too abstract for young children—Teen Toast apparently has no eyes, Aunt Maude’s are odd splotches, and the honey-made mouth of one of the Toasty Twin Cousins is hard to discern.
This is one breakfast to skip. (Board book. 1-3)Pub Date: April 1, 2014
ISBN: 978-1-936669-18-9
Page Count: 14
Publisher: blue manatee press
Review Posted Online: April 19, 2014
Kirkus Reviews Issue: July 1, 2014
A lovely package, this quiet title will be best as a gift book for new moms eager to read aloud to the newest members of...
A mother’s observations of her new baby lead to a series of sweet comparisons to various animals.
“When I met you, you were small and trembling, and I thought you might be a little bunny. / I held you close so you were warm.” Teen author Marr (Made for You, 2014, etc.) uses playful yet comforting language in her picture-book debut. The baby’s squirming kicks remind her of a “lost kangaroo”; a lifting of the child’s head makes her think of a “curious lizard”; and the little one’s howl seems like that of a “lonely wolf.” Each of the child’s behaviors leads to a tender action taken by the mother: tucking the baby in, offering milk, and giving a bath. Each time a new creature is introduced, White gently changes the dominant color in the muted pastel palette of her watercolor and gouache illustrations. That hue is also reflected in the hand-lettered text, giving the overall design of the book a vintage feel. When the baby smiles, the mother knows “You are not a bunny-roo-lizard-wolf-kitten-piggy. You are my baby.” The final page shows the curled-up infant asleep in a pile of blankets.
A lovely package, this quiet title will be best as a gift book for new moms eager to read aloud to the newest members of their families. (Picture book. 1-3)Pub Date: April 14, 2015
ISBN: 978-0-399-16742-3
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: March 16, 2015
Kirkus Reviews Issue: April 1, 2015
Guess how much you’ll be reading this.
Parent and child share a day of small adventures and cozy snuggles.
That the two happen to be tortoises is totally beside the point. Die-cut holes and shaped edges turn nearly every page flip into a surprise. Following a parental “Good morning, Baby” to greet the youngling’s “Wake up, wake up, I want to play… / The sun is up, it’s a brand new day!” the two reptiles ramble off to munch on leaves, weather a sudden rain shower, discover a flock of butterflies, climb a hill, watch the moon rise, and, at last, weary little one perched on top, settle down to snooze again. The paper engineering is ingenious. Turning a seemingly arbitrarily shaped page with a special window framing a pink butterfly fills the spread with many jewel-toned insects; even though the tortoises never change position, the scene is completely transformed. Hegarty’s rhymed narrative features lots of tender sentiments—“Wherever you are, wherever you go, / Baby, I’ll always love you so”—while steering clear of any gender references. In Elliott’s peaceful, grassy settings the wanderers’ small smiles and shared glances likewise create a sense of loving intimacy. This is likely to become a victim of its own appeal, being as the paper stock is rather too flimsy to survive much contact with toddler hands. Still, a clear winner for sharing with audiences of one or dozens.
Guess how much you’ll be reading this. (Novelty. 18 mos.-3)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-3509-7
Page Count: 32
Publisher: Sourcebooks Wonderland
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
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