This is one breakfast to skip.
The faces of a white-bread family—literally—are created on slices of toast with condiment features.
Every member is introduced, one face per page, including pets, grandparents and cousins. Dad Toast has a large pat of butter for a nose, and squiggles of what looks to be apple butter make the mouth, eyes and eyebrows. The image of Brother Toast uses large panels of American cheese and squirts of red jelly to make a baseball hat, two beady eyes and a food-stained mouth. Bold text written in a brown type labels each family member and describes the characteristics of some (“Grandpa Toast, a bald head”). The family cat and dog meow and woof, and Grandma Toast utters the sole line of dialogue: “‘Hi, Honey!’” All of these images were made using kiln-formed glass. The back-cover blurb states that artists Gross and Busch make it their mission to introduce “young children to the wonderful properties of glass.” As talented as they are, why they chose to make a toast family is baffling. Few of the toast faces look appetizing, with cheese, jam, honey and a white substance (cream cheese?) all on one slice of bread. Many of the faces will be too abstract for young children—Teen Toast apparently has no eyes, Aunt Maude’s are odd splotches, and the honey-made mouth of one of the Toasty Twin Cousins is hard to discern.
This is one breakfast to skip. (Board book. 1-3)Pub Date: April 1, 2014
ISBN: 978-1-936669-18-9
Page Count: 14
Publisher: blue manatee press
Review Posted Online: April 19, 2014
Kirkus Reviews Issue: July 1, 2014
Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday.
Animal parents declare their love for their offspring in alphabetical order.
Each page displays an enormous capital letter, one line of verse with the keyword capitalized, and a loving nonhuman parent gazing adoringly at their baby. “A is for Always. I always love you more. / B is for Butterfly kisses. It’s you that I adore.” While not named or labelled as such, the A is also for an alligator and its hatchling and B is for a butterfly and a butterfly child (not a caterpillar—biology is not the aim of this title) interacting in some way with the said letter. For E there are an elephant and a calf; U features a unicorn and foal; and X, keyed to the last letter of the animal’s name, corresponds to a fox and three pups. The final double-page spread shows all the featured creatures and their babies as the last line declares: “Baby, I love you from A to Z!” The verse is standard fare and appropriately sentimental. The art is cartoony-cute and populated by suitably loving critters on solid backgrounds. Hearts accent each scene, but the theme of the project is never in any doubt.
Perfect for Valentine’s Day, but the syrupy sweetness will cloy after the holiday. (Board book. 1-3)Pub Date: Dec. 1, 2020
ISBN: 978-1-7282-2095-6
Page Count: 28
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Guess how much you’ll be reading this.
Parent and child share a day of small adventures and cozy snuggles.
That the two happen to be tortoises is totally beside the point. Die-cut holes and shaped edges turn nearly every page flip into a surprise. Following a parental “Good morning, Baby” to greet the youngling’s “Wake up, wake up, I want to play… / The sun is up, it’s a brand new day!” the two reptiles ramble off to munch on leaves, weather a sudden rain shower, discover a flock of butterflies, climb a hill, watch the moon rise, and, at last, weary little one perched on top, settle down to snooze again. The paper engineering is ingenious. Turning a seemingly arbitrarily shaped page with a special window framing a pink butterfly fills the spread with many jewel-toned insects; even though the tortoises never change position, the scene is completely transformed. Hegarty’s rhymed narrative features lots of tender sentiments—“Wherever you are, wherever you go, / Baby, I’ll always love you so”—while steering clear of any gender references. In Elliott’s peaceful, grassy settings the wanderers’ small smiles and shared glances likewise create a sense of loving intimacy. This is likely to become a victim of its own appeal, being as the paper stock is rather too flimsy to survive much contact with toddler hands. Still, a clear winner for sharing with audiences of one or dozens.
Guess how much you’ll be reading this. (Novelty. 18 mos.-3)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-3509-7
Page Count: 32
Publisher: Sourcebooks Wonderland
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
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