Building on the appealing notion of nurturing fathers, Markle and Marks present this tiny Australian frog in the context of its natural environment. Both male and female hip-pocket frogs guard their developing eggs, but after they’ve hatched, the male keeps his tadpoles safe in hip pockets until they have used up their yolks and developed lungs. The poetic text follows one male journeying to a new and wetter home, describing the creatures he eats and those that want to eat him along the way. Without explicitly using the phrase, she even offers an example of the food chain: A quoll catches the dusky antechinus hunting the frog. These and other Australian animals from the story are further described in an animal glossary at the end. The detailed, realistic watercolor-and-pencil illustrations, mostly double-page spreads, provide a frog’s-eye view of the shadowy forest floor, pulling out to show predators overhead and, once, for a panorama of the temperate rainforest. This intriguing, informative introduction is a worthy successor to the team’s Finding Home (2008). (author’s note, facts, further sources) (Informational picture book. 5-8)
Pub Date: Feb. 1, 2010
ISBN: 978-1-57091-708-0
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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