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KILL THE ANGEL

A harrowing if entertaining ride. Fans of Thomas Harris’ Hannibal Lecter series will, beg pardon, eat this up.

More murder, mayhem, and madness, Italian-style.

Dazieri’s Kill the Father (2017) introduced two psychically wounded characters, Dante Torre and Colomba Caselli, who wrestle with various demons while solving extremely nasty crimes. In this follow-up, the opening gambit is a very nasty crime indeed, with a whole train car full of victims—and that car is the first-class compartment of the Milan-to-Rome express, exciting visions of the class struggle. Of one victim, Dazieri writes by way of warming up to the subject, “the officer decided that this was the deadest dead person he’d ever laid eyes on.” Leave it to a book with a lead named Dante to impose degrees of deadness, but whatever the case, suspicion immediately falls on the usual suspects—the Muslims, that is. A few raids on mosques and one exploding head later, Dante divines that maybe the Islamic State group isn’t to blame after all; for her part, the already well-traumatized Colomba is put on leave, giving her and Dante the freedom of the highway. What they discover while trundling back and forth to Germany, Austria, and elsewhere is that the real killer is Giltine, an avenging angel of sorts, a woman engineered to a fine point of psychosis, with the fingerprints of Stasi and KGB all over the scene. “She scares me, CC,” says Dante. He’s almost as dead inside as Giltine, whose name is that of the goddess of death in ancient Lithuanian mythology, but Giltine has a special knack for recruiting people from bad novelists to Norman Bates wannabes to do her dirty work for her, a whole army of darkness. Can Dante and Colomba save the NATO powers from a woman who likes nothing better than to stick syringes full of mescaline and psylocibin into her victims’ eyes? That question is answered with the most carefully crafted of cliffhangers, one that leaves the door wide open for more blood-spilling adventures to come.

A harrowing if entertaining ride. Fans of Thomas Harris’ Hannibal Lecter series will, beg pardon, eat this up.

Pub Date: Feb. 20, 2018

ISBN: 978-1-5011-7465-0

Page Count: 464

Publisher: Scribner

Review Posted Online: Nov. 27, 2017

Kirkus Reviews Issue: Dec. 15, 2017

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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