An often engaging work that may help to allay fears of readers young and old.
A young girl dislikes a loud storm but uses her imagination to calm herself and her military veteran father in Brehl’s illustrated children’s book.
Risa is playing at the beach when a thunderstorm approaches. She runs to her house and says, “A STORM Daddy! Make it stop!” He tells her that he wishes that he could and that it will be over soon. He reassures her that she’s safe and encourages her to play in her room. As the wind howls and the waves pound, Risa tells her stuffed elephant, Ivan, not to be scared. When there are loud thunderclaps, she runs to Daddy again. Risa feels his heart racing, and he says that when he was young, he loved storms, and “skies were stages for my imagination.” (Hirsch’s upbeat illustrations show clouds playing instruments and riding on a ship and a whale.) But Daddy says his stories won’t help Risa, because they changed when he was a soldier; this is demonstrated by images of menacing animals. When the youngster looks at the skies, she sees golden elephants, including a baby one that looks like Ivan, led by a daddy elephant; Risa declares that the elephant family is safe, and the daddy elephant is shown fending off dangerous creatures. Daddy claims he also sees the golden elephants, and now his heartbeat is steady. Over the course of this book, Brehl presents a story that may help readers whose experiences mirror the characters’—particularly those in military families with members who struggle with PTSD. In the illustrations, Ivan, the stuffed elephant, is delightfully drawn with a heart on his body; his eyes widen with surprise at a loud crash, as if he’s a living creature. Interestingly, Risa’s father is depicted in Hirsch’s work as having a prosthetic leg, which is never directly addressed in the text—an effective narrative choice. Lavender shading is intriguingly used to indicate fear.
An often engaging work that may help to allay fears of readers young and old.Pub Date: July 4, 2021
ISBN: 978-1-952894-32-9
Page Count: 34
Publisher: Pen It! Publications, LLC
Review Posted Online: Feb. 18, 2022
Review Program: Kirkus Indie
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own...
The sturdy Little Blue Truck is back for his third adventure, this time delivering Christmas trees to his band of animal pals.
The truck is decked out for the season with a Christmas wreath that suggests a nose between headlights acting as eyeballs. Little Blue loads up with trees at Toad’s Trees, where five trees are marked with numbered tags. These five trees are counted and arithmetically manipulated in various ways throughout the rhyming story as they are dropped off one by one to Little Blue’s friends. The final tree is reserved for the truck’s own use at his garage home, where he is welcomed back by the tree salestoad in a neatly circular fashion. The last tree is already decorated, and Little Blue gets a surprise along with readers, as tiny lights embedded in the illustrations sparkle for a few seconds when the last page is turned. Though it’s a gimmick, it’s a pleasant surprise, and it fits with the retro atmosphere of the snowy country scenes. The short, rhyming text is accented with colored highlights, red for the animal sounds and bright green for the numerical words in the Christmas-tree countdown.
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own tree that will put a twinkle in a toddler’s eyes. (Picture book. 2-5)Pub Date: Sept. 23, 2014
ISBN: 978-0-544-32041-3
Page Count: 24
Publisher: HMH Books
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
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BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
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