A book that’s far more interesting for its insights into Roman history than for its style or storytelling.
Young lawyer Julius Caesar takes on an impossible case that threatens to end his career and his life.
“They chose you because you are, by far, the lesser man, the lesser orator. Because you don’t know what to say or when to say it.” Thus says the great Roman orator Cicero to 23-year-old Julius Caesar, who’s competing against him to be selected to prosecute a case. Thanks to hindsight, we know Cicero’s assessment couldn’t be more wrong, but Posteguillo takes us back to a moment long before Caesar was undisputed master of the world. Though it’s easy now to say Caesar was destined for greatness, Posteguillo shows his fate was far from certain. Caesar is chosen over Cicero to prosecute the corrupt former Macedonian governor Gnaeus Cornelius Dolabella, and it’s an impossible situation. Though clearly guilty of plunder and rape, Dolabella is a favorite of Roman dictator Sulla and a member of the optimates, an exclusive group in the Roman Senate unwilling to concede power to anyone, especially a young upstart from a lower-level patrician family. The novel traces the history leading up to Dolabella’s trial in 77 B.C.E. and depicts the hidden grudges and motives behind the efforts to ensure Caesar’s defeat. The author describes invading barbarian armies in Gaul, rebellions in Greece, and the brutal silencing of anyone brave enough to speak the truth. He also shows us the hypocrisy of a society that embraced high ideals but accepted violence as part of the political process. What hampers the story is a plodding narrative style and the author’s penchant for cliffhangers that seem better suited for TV. He puts too much potted history in his characters’ mouths, too much language that seems unrealistic or verging on the soap operatic. And yet, at other times, his writing has a strikingly contemporary sound, especially when Caesar makes his closing argument in the trial: “We may call our form of government a ‘democracy,’ but to truly be democratic, our laws, as Pericles points out, must defend the interests not of the very few, but of the majority.” Posteguillo’s story is a reminder that, though more than 2,000 years separate us from ancient Rome, some conflicts haven’t changed.
A book that’s far more interesting for its insights into Roman history than for its style or storytelling.Pub Date: March 5, 2024
ISBN: 9780593598047
Page Count: 624
Publisher: Ballantine
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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