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THE SECRET OFFICE

From the Orca Echoes series

A gently told, wholesome adventure in apartment living.

A capable pair of siblings show initiative and perseverance as they help their mother and themselves.

Nine-year-old twins Henry and Allie love their apartment building, which feels like a “big hug,” but their afternoon activities there are now circumscribed. Their mother, Sam, needs quiet and privacy to work from their small quarters. The impressive duo, responsible for minor cookery and laundry, don’t complain; they look for solutions. They seek out headphones for Sam so they won’t hear the disembodied voices of her co-workers. When they discover a mysterious locked basement room, they resolve to turn it into an office for Sam. With determination, cleverness, hard work, and luck, they overcome financial and situational obstacles. Minor plot thickeners include their discovering that a Black woman architect designed the building, the superintendent’s reconnecting with an old friend, and Henry’s learning to discipline a neighbor’s exuberant poodle. The narrative is lively and well paced, with admirable characters and conflicts that are neatly but believably wrapped up. The family is deeply committed to safeguarding the environment: They walk rather than drive, and they make a point of avoiding aerosol cans, which can’t be recycled. The twins are big on sharing and caring; Allie reads a book on manners, and Henry makes clear that he’s “allergic to lying.” Realistically detailed, cartoon-style black-and-white drawings help set the scene. The twins present white; the cast is diverse.

A gently told, wholesome adventure in apartment living. (Chapter book. 6-8)

Pub Date: Aug. 13, 2024

ISBN: 9781459839465

Page Count: 88

Publisher: Orca

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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WAITING IS NOT EASY!

From the Elephant & Piggie series

A lesson that never grows old, enacted with verve by two favorite friends

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 4, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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FIELD TRIP TO THE MOON

A close encounter of the best kind.

Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.

While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.

A close encounter of the best kind. (Picture book. 6-8)

Pub Date: May 14, 2019

ISBN: 978-0-8234-4253-9

Page Count: 40

Publisher: Margaret Ferguson/Holiday House

Review Posted Online: Feb. 5, 2019

Kirkus Reviews Issue: March 1, 2019

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