A thin conflict downgrades this promising fake relationship to a lukewarm rom-com.
An organized software engineer reunites with the high school crush who jilted her on prom night.
Daisy Patel has a particular way of doing things as a self-described "neurotic software engineer." With her life in chaos after she catches her boyfriend cheating and learns that her company is in dire financial straits, Daisy can't take any more of her parents' romantic meddling. Liam Murphy has returned to San Francisco to mourn his grandfather and take over the family distillery, but there's a catch with his inheritance: He needs to get married. Though Liam is a friend of her brother's and her former high school crush, Daisy isn't exactly thrilled about their reunion, considering that he stood her up on prom night a decade earlier. However, a spark of lingering attraction motivates the pair to form a mutually beneficial agreement: They'll pretend to date and then marry out of convenience. Daisy's family is fond of Liam, and it'd give her some freedom from their pressure to settle down, and Liam will finally have the power to make some much-needed changes to the distillery. Given Daisy's love of detail and organization, she concocts a dating plan for the two of them, though sticking to the rules proves to be hard when pretending feels a lot like the real thing. Pop-culture nerds may appreciate Daisy's love for Marvel movies, as she often wears clothing emblazoned with the Avengers, but her obsession with Liam's prom-night gaffe makes this detail feel infantilizing rather than an unabashed example of fandom love. The weak conflict of a disappointing prom night feels unnecessary in the face of other obstacles Daisy and Liam may have to contend with as fake partners approaching a modern marriage of convenience.
A thin conflict downgrades this promising fake relationship to a lukewarm rom-com.Pub Date: March 16, 2021
ISBN: 9780-5-931-0058-5
Page Count: 352
Publisher: Berkley
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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