The latest in publisher Otto Penzler’s long-running series presents 20 contemporary American mystery stories and one bonus story from 1917, with a brief but sharp introduction by Paretsky.
Paretsky argues that contrary to the oft-quoted dictum, “Write what you know,” mystery fiction gives authors license to use their imaginations liberally, often starting with their own emotions and then pushing the boundaries into the realm of what might have been if only they had been bolder, or more curious, or occasionally just plain sociopathic. Most of these stories have rather pedestrian settings. Doug Allyn’s “Kiss of Life” begins with a day at the beach. Sean Marciniak’s “October in Kauai” traces two youngsters’ scheme to leave Schenectady for a tropical paradise. Keith Lee Morris celebrates Christmas in Jacksonville, Florida, in “Sleigh Bells for the Hayride.” Joyce Carol Oates’ “Detour” has a familiar suburban setting, and Annie Reed’s “Little City Blues” uses Reno, Vegas’ less glamorous sister, as the background for a timeworn detective trope: A private eye gets the goods on an errant spouse. Even the two overseas adventures, Tom Larsen’s “El Cuerpo en el Barril” and Colin Barrett’s “A Shooting in Rathreedane,” are set largely in police stations. And Kristine Kathryn Rusch’s “Grief Spam” unfolds over the internet. But the stories take off from their humble points of origin into spaces few would have predicted as they explore the terrain most familiar and yet most mysterious of all: the geography of the human heart.
Imaginations run loose in the best ways possible.