by Sara Quin & Tegan Quin ‧ RELEASE DATE: Sept. 24, 2019
A solid memoir mostly for fans of the band.
A coming-of-age memoir about how the Canadian twin sisters became successful recording artists.
When they started high school, Tegan and Sara Quin considered themselves oddballs, outcasts, and misfits. They were big music fans—Nirvana, Green Day, the Smashing Pumpkins—but had no particular musical aspirations. Other than being identical twins, there was not much to distinguish them from other teenagers trying to navigate the awkward years—certainly nothing to suggest that they would soon become young recording stars and icons of the burgeoning LGBTQ community. These were pivotal years for the sisters, and their musical success would prove transformative. However, music almost seems like an afterthought here, as the authors proceed in alternating chapters to show how their experience was fairly typical. They did lots of drugs, got blackout drunk on occasion, went to parties that got out of control, experienced their sexual awakenings, and wrestled with their sexual identities. Both had boyfriends and girlfriends, and both struggled with the issue of whether a particular girl was her best friend or something more. They also fought a lot. The music came when they found a guitar that belonged to their stepfather and separately began writing songs and then harmonizing with each other’s songs. The sisters also hid many of their experiences from each other, so it proved cathartic to write and share. “I wrote lyrics that sometimes felt too close to the bone,” remembers Sara, recalling how the unraveling of her relationship with her girlfriend contributed to her songwriting surge. After arranging the song with her sister, she writes, “when we finished, I felt lighter.” Their friends became fans of their music, and a self-recorded cassette helped expand that fandom. Winning a prestigious talent contest earned them studio time, and they marked their 18th birthdays by signing with one of the recording labels that had been pursuing them.
A solid memoir mostly for fans of the band.Pub Date: Sept. 24, 2019
ISBN: 978-1-982112-66-0
Page Count: 384
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: July 14, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Tegan Quin & Sara Quin ; illustrated by Tillie Walden
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BOOK TO SCREEN
SEEN & HEARD
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jack Weatherford ‧ RELEASE DATE: March 2, 2004
A horde-pleaser, well-written and full of surprises.
“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”
No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.
A horde-pleaser, well-written and full of surprises.Pub Date: March 2, 2004
ISBN: 0-609-61062-7
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
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