Next book

THE GOOD GIRLS

A delectably devious conclusion.

The follow-up to gossipy thriller The Perfectionists (2014) begins with its protagonists reeling from a teacher's death.

A prologue helpfully brings new and returning readers up to speed: Mackenzie, Julie, Caitlin, Parker, and Ava started talking in English class about whom they'd like to see killed and how they'd do the deed. Shortly thereafter, someone began committing murders in exactly the manners named. Because the girls have secrets that make them look suspicious—the prank they'd played on a murdered student, their having snuck into their teacher's house just before he was killed—each is reluctant to tell the authorities what she knows. Shepard, famed for her Pretty Little Liars series, uses the tension inherent in this premise just as deliciously in this sequel as in the original volume. Romantic and family conflicts in each girl's storyline, from Caitlin's navigating a relationship with her ex-boyfriend's younger brother to Ava's hiding her stepmother's cruel abuse to Mackenzie's best-friend–turned-rival Claire competing with her for boys' attention, ensure each chapter is chock-full of back-stabbings and barbed words. Clues about the murderer's identity are available to careful readers, but many will be surprised by the final revelation.

A delectably devious conclusion. (Suspense. 14-18)

Pub Date: June 2, 2015

ISBN: 978-0-06-207452-2

Page Count: 352

Publisher: HarperTeen

Review Posted Online: March 31, 2015

Kirkus Reviews Issue: April 15, 2015

Next book

IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

Next book

STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

Close Quickview