TOXIC

A social critique in nine essays, each profiling a female star of the early 2000s.

London-based journalist Ditum begins with Britney Spears, whose debut album “…Baby One More Time” was released in 1998. The pop star’s appeal, the author argues, hinged on her combination of sultriness and innocence, as a former Mickey Mouse Club cast member who wore a purity ring. The issue of her virginity dogged Spears, culminating in a bizarre interview with Diane Sawyer in which she was reduced to tears on the subject of the number of people she’d had sex with. As the author writes, “intercourse was treated as a grave and somber matter for which she owed the nation an apology.” Ditum differentiates among celebrities such as Spears and Lindsay Lohan, who became famous before the digital revolution; Paris Hilton, who became a star during it; and Kim Kardashian, who rose to prominence after smartphones and internet pornography were commonplace. In the second essay, Ditum looks at Hilton, the heiress who burst on the scene in 1999 as a bubbly socialite with a famous last name. The author paints a portrait of an enterprising, flexible young woman who understood that “her role in public life…[was] to stand for privileged nothingness.” As for Kardashian, the author writes, “because she began to seek fame later in the decade, she was able to harness the internet rather than merely be ambushed by it.” Ditum is an engaging writer, and she wrings new insight from these well-known biographies. She is equally eloquent arguing that the subprime mortgage crisis of 2008 created a need for both “idols and scapegoats” as she discusses the Black community’s evolving response to R. Kelly’s abuse of its young women.

Top-notch pop-culture commentary—a smart and entertaining look at female celebrity during a decade of immense change.