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WELCOME TO FEAR CITY

Drags like an August heat wave.

A girl and her city are both cursed.

It’s a sweltering summer in 1977 Manhattan, and Sylvie Stroud, a white girl whose birth mom entered into an open adoption arrangement, can see the past. Ever since the blackout of 1965 when she was 5, she’s found that touching any physical material that’s more than 10 years old triggers an overwhelming cascade of all the (apparently post-colonial) people who existed in that space. When Sylvie repeatedly sees a brutal murder outside her Irish dance school, though, she becomes compelled to solve the mystery of the girl’s attack, which leads her to a shocking revelation. The teen also learns that her brother (who’s also an adoptee), her crush, and her friends have been drawn into the danger, which encompasses both a historical town home and an abandoned mansion. Unfortunately, this story, with its belabored prose and many underdeveloped strands, suffers from a plot that spins its wheels rather than getting into the meat of the mystery. Sylvie’s professed love for Irish dance never quite makes it onto the page, and too much of the story hinges on moments that are described as “too coincidental to be a coincidence.” The dense thicket of 1970s references will interest teen readers who are curious about that decade, while leaving others feeling stranded. Final art not seen.

Drags like an August heat wave. (Horror. 14-18)

Pub Date: Sept. 3, 2024

ISBN: 9781454953906

Page Count: 464

Publisher: Union Square & Co.

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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DON'T LET THE FOREST IN

Lush, angsty, queer horror.

When the monsters they imagine come to life, two boys fight for their lives—and each other.

Andrew Perrault, who’s from Australia, writes beautiful, macabre fairy tales. His roommate at his American boarding school, Wickwood Academy, is talented artist Thomas Rye, who brings his stories to vivid life in paint and charcoal. Andrew’s twin sister, Dove, is all but ignoring him, so he has plenty of time to focus on Thomas’ increasingly odd behavior. Thomas’ parents disappeared just before the new school year started, and Andrew noticed blood on his roommate’s sleeve on their first day back. When he follows Thomas into the forest one night, Andrew discovers him fighting one of the monsters that Thomas has drawn from these stories. The boys soon find themselves coping with vicious bullies by day and fighting monsters by night. At the same time, Andrew struggles to reconcile his feelings for Thomas with his growing awareness of his own asexuality. But when the sinister Antler King breaches Wickwood’s walls, Andrew realizes that he and Thomas may not survive their own creations. This novel, written in rich, extravagant prose, features frank portrayals of disordered eating, self-harm, bullying, and mental illness. Andrew grapples realistically with his sexual identity, and the story has ample genuinely creepy moments with the monsters. Andrew, Thomas, and Dove are white.

Lush, angsty, queer horror. (content warning) (Horror. 14-18)

Pub Date: Oct. 29, 2024

ISBN: 9781250895660

Page Count: 336

Publisher: Feiwel & Friends

Review Posted Online: Aug. 3, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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A GOOD GIRL'S GUIDE TO MURDER

From the Good Girl's Guide to Murder series , Vol. 1

A treat for mystery readers who enjoy being kept in suspense.

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  • New York Times Bestseller

Everyone believes that Salil Singh killed his girlfriend, Andrea Bell, five years ago—except Pippa Fitz-Amobi.

Pip has known and liked Sal since childhood; he’d supported her when she was being bullied in middle school. For her senior capstone project, Pip researches the disappearance of former Fairview High student Andie, last seen on April 18, 2014, by her younger sister, Becca. The original investigation concluded with most of the evidence pointing to Sal, who was found dead in the woods, apparently by suicide. Andie’s body was never recovered, and Sal was assumed by most to be guilty of abduction and murder. Unable to ignore the gaps in the case, Pip sets out to prove Sal’s innocence, beginning with interviewing his younger brother, Ravi. With his help, Pip digs deeper, unveiling unsavory facts about Andie and the real reason Sal’s friends couldn’t provide him with an alibi. But someone is watching, and Pip may be in more danger than she realizes. Pip’s sleuthing is both impressive and accessible. Online articles about the case and interview transcripts are provided throughout, and Pip’s capstone logs offer insights into her thought processes as new evidence and suspects arise. Jackson’s debut is well-executed and surprises readers with a connective web of interesting characters and motives. Pip and Andie are white, and Sal is of Indian descent.

A treat for mystery readers who enjoy being kept in suspense. (Mystery. 14-18)

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-9636-0

Page Count: 400

Publisher: Delacorte

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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