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GRANNY SMITH WAS NOT AN APPLE

History, biography, and orchard science presented in a neat, green, apple-shaped package.

The story of the woman behind the tart green apple.

In England, Maria Anna Smith finds work wherever it’s available, plowing, picking, pruning, shearing, shucking, shelling, or working as a midwife (historically called “Grannies”). But work is harder to find with the increasing use of machines to do farmwork. Finally she finds work in an orchard and learns all about harvesting and growing apples, which comes in handy when strangers from Australia arrive looking for experienced workers. (Brief notes throughout explore terms, processes, and history, such as the reasons for grafting.) Maria Anna, her husband, and their five children take a chance and board a ship for the four-month voyage. They scrimp, save, and work hard to be able to finally afford their own land, house, and orchard. By accident, the compost heap where Maria Anna mixed the scraps of her red apples with those of some Tasmanian crab apples sprouts, and she nurtures the seedling, which eventually produces disappointingly green apples that turn out to be surprisingly tart and delicious, and thus a new apple variety is born. McLeod’s illustrations bring history alive on the page, depicting the houses, clothing, and tough working conditions of Maria Anna’s time. All the people are light-skinned. A backmatter note directed at adults explains the impact of the British colonization of Australia on its Indigenous communities. (This book was reviewed digitally.)

History, biography, and orchard science presented in a neat, green, apple-shaped package. (selected bibliography, timeline) (Picture-book biography. 4-9)

Pub Date: Sept. 1, 2023

ISBN: 9781441339447

Page Count: 32

Publisher: Peter Pauper Press

Review Posted Online: June 21, 2023

Kirkus Reviews Issue: July 15, 2023

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LUNAR NEW YEAR

From the Celebrate the World series

Lovely illustrations wasted on this misguided project.

The Celebrate the World series spotlights Lunar New Year.

This board book blends expository text and first-person-plural narrative, introducing readers to the holiday. Chau’s distinctive, finely textured watercolor paintings add depth, transitioning smoothly from a grand cityscape to the dining room table, from fantasies of the past to dumplings of the present. The text attempts to provide a broad look at the subject, including other names for the celebration, related cosmology, and historical background, as well as a more-personal discussion of traditions and practices. Yet it’s never clear who the narrator is—while the narrative indicates the existence of some consistent, monolithic group who participates in specific rituals of celebration (“Before the new year celebrations begin, we clean our homes—and ourselves!”), the illustrations depict different people in every image. Indeed, observances of Lunar New Year are as diverse as the people who celebrate it, which neither the text nor the images—all of the people appear to be Asian—fully acknowledges. Also unclear is the book’s intended audience. With large blocks of explication on every spread, it is entirely unappealing for the board-book set, and the format may make it equally unattractive to an older, more appropriate audience. Still, readers may appreciate seeing an important celebration warmly and vibrantly portrayed.

Lovely illustrations wasted on this misguided project. (Board book. 4-8)

Pub Date: Dec. 11, 2018

ISBN: 978-1-5344-3303-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Dec. 4, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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FRIDA KAHLO AND HER ANIMALITOS

A supplemental rather than introductory book on the great artist.

Frida Kahlo’s strong affection for and identification with animals form the lens through which readers view her life and work in this picture-book biography.

Each two-page spread introduces one or more of her pets, comparing her characteristics to theirs and adding biographical details. Confusingly for young readers, the beginning pages reference pets she owned as an adult, yet the illustrations and events referred to come from earlier in her life. Bonito the parrot perches in a tree overlooking young Frida and her family in her childhood home and pops up again later, just before the first mention of Diego Rivera. Granizo, the fawn, another pet from her adult years, is pictured beside a young Frida and her father along with a description of “her life as a little girl.” The author’s note adds important details about Kahlo’s life and her significance as an artist, as well as recommending specific paintings that feature her beloved animals. Expressive acrylic paintings expertly evoke Kahlo’s style and color palette. While young animal lovers will identify with her attachment to her pets and may enjoy learning about the Aztec origins of her Xolo dogs and the meaning of turkeys in ancient Mexico, the book may be of most interest to those who already have an interest in Kahlo’s life.

A supplemental rather than introductory book on the great artist. (Picture book/biography. 4-8)

Pub Date: Sept. 5, 2017

ISBN: 978-0-7358-4269-4

Page Count: 40

Publisher: NorthSouth

Review Posted Online: June 18, 2017

Kirkus Reviews Issue: July 1, 2017

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