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THE DRAGON’S SON

First-novelist Thomson gives the legend of King Arthur a plausible historical setting in sixth-century Britain, but strips it of chivalry, magic, and romance. Four voices tell interrelated stories: Nimue, wife of the bard Myrddin, watches her husband cast away love, family, and honor to bring about his vision of a king who will unite the feuding chieftains against the marauding Saxons. Morgan, who witnesses her father’s murder and her mother’s rape by the thuggish Uther Pendragon, suppresses her lust for revenge to contract an incestuous marriage, until her bitterness proves stronger than her love. Luned, sharp-tongued handmaid to the emotionally fragile Lady Elen, pragmatically shepherds her mistress through two disastrous marriages. Finally, Medraud, Arthur’s nephew/son, raised incapable of affection or trust, destroys the kingdom to fill his own emptiness. Arthur himself is barely glimpsed as the golden sun around whom the others revolve, his warmth eclipsed by the foreboding atmosphere. Thomson paints a convincing portrayal of a grim, brutal age, and lays bare each character’s secrets with piercing clarity. But it’s hard to imagine who would enjoy visiting a Camelot so devoid of wonder, charm, and beauty, where every wedding leads to betrayal, all parents fail their children, and any hopes, ideals, or good intentions bear only poisoned fruit. Though Arthurian aficionados will derive satisfaction from spotting classic characters, those new to the stories will remain puzzled by their allure. So tainted is this Arthur’s reign that it’s a relief when he crumples bleeding to his doom. Vivid, sophisticated, but deeply, needlessly depressing. (Fiction. YA)

Pub Date: May 1, 2001

ISBN: 0-531-30333-0

Page Count: 192

Publisher: Orchard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2001

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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