A compelling story about grief, sex, and money, but also the power of family and forgiveness.
After her tycoon father’s death, a woman reunites with her estranged family for a dramatic week on their private island.
Alice Storm hasn’t visited her family in five years, but this is no normal house she’s avoiding. Her father was Franklin Storm, founder of a world-changing technology company, and their home is a private island off the Rhode Island coast. When Alice went against her controlling father’s wishes, she was cut off and banished. She’s been supporting herself as a teacher and artist, trying her best to forget that she was ever a Storm—that is, until Franklin’s death. Now she’s back with the family she hasn’t spoken to in years—her icy mother, Elisabeth; rule-following older sister, Greta; bratty, power-hungry older brother, Sam; and spiritual younger sister, Emily, who never met a crystal she didn’t like. Among them, Alice is the rebel—the only one who managed to ignore their father’s wishes and escape the island. But it turns out that, even in death, Franklin is still calling the shots. He’s left them challenges they must complete if they want to earn their inheritance, and if any one of them fails, the whole group loses. Alice’s task seems almost impossible, even though it's simpler than the others': She just has to stay on the island, with her family, for the entire week. All this information is delivered by Jack Dean, Franklin’s right-hand man. He’s also the guy Alice accidentally slept with before realizing who he was (whoops). Now she’s stuck with her family and a man she’s deeply attracted to even though she hates him for being involved in her father’s company—and she has to make it through her father’s funeral (or “celebration,” as her mother insists on calling it). MacLean’s first foray into contemporary family drama has notes of Succession along with the steamy romance she’s known for in her historical novels. The Storm family is full of complicated, flawed characters, and sticking them together on an island for a week leads to lots of delightfully dramatic fights, secrets, and reveals.
A compelling story about grief, sex, and money, but also the power of family and forgiveness.Pub Date: tomorrow
ISBN: 9780593972250
Page Count: 400
Publisher: Ballantine
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
