A delicious blend of the fanciful yet realistic.
A unicorn with writer’s block turns into a whole story.
Unicorn has every writer’s dream setup: a charming, cozy, isolated shack well stocked with writing supplies, friends to bring him snacks, and time to write. But he “didn’t know where to begin his story.” He assembles his special writing implements and beverages to boost his creative juices. But: “I wish an idea would come knocking at my door,” he says, and in riotously colored spreads, supportive sea creatures try to help. Narwhal asks to be a character, Mermaid brings him cookies as a bribe for a featured role, and Jellyfish bubbles over with ideas. But Unicorn refuses to see these as anything other than distractions, yelling “I can’t get ANY ideas because everyone keeps bothering me!” After he throws his notebook and special pen into the sea, his friends find the empty notebook and decide to fill it with their own story, relating everything that just happened in the preceding pages with themselves in starring roles. Each spread offers a wealth of details for readers to pore over, and the goofy sea creatures are fun and clever. Silent sea horses, trailing in the background, help bring the story to a satisfying conclusion in the endpapers. This hits just the right notes, engaging children, who will want to yell at the stubborn unicorn, and making any procrastinating adults chuckle in recognition.
A delicious blend of the fanciful yet realistic. (Picture book. 4-8)Pub Date: July 21, 2020
ISBN: 978-1-338-61799-3
Page Count: 32
Publisher: Scholastic
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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