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GRUMPYCORN

A delicious blend of the fanciful yet realistic.

A unicorn with writer’s block turns into a whole story.

Unicorn has every writer’s dream setup: a charming, cozy, isolated shack well stocked with writing supplies, friends to bring him snacks, and time to write. But he “didn’t know where to begin his story.” He assembles his special writing implements and beverages to boost his creative juices. But: “I wish an idea would come knocking at my door,” he says, and in riotously colored spreads, supportive sea creatures try to help. Narwhal asks to be a character, Mermaid brings him cookies as a bribe for a featured role, and Jellyfish bubbles over with ideas. But Unicorn refuses to see these as anything other than distractions, yelling “I can’t get ANY ideas because everyone keeps bothering me!” After he throws his notebook and special pen into the sea, his friends find the empty notebook and decide to fill it with their own story, relating everything that just happened in the preceding pages with themselves in starring roles. Each spread offers a wealth of details for readers to pore over, and the goofy sea creatures are fun and clever. Silent sea horses, trailing in the background, help bring the story to a satisfying conclusion in the endpapers. This hits just the right notes, engaging children, who will want to yell at the stubborn unicorn, and making any procrastinating adults chuckle in recognition.

A delicious blend of the fanciful yet realistic. (Picture book. 4-8)

Pub Date: July 21, 2020

ISBN: 978-1-338-61799-3

Page Count: 32

Publisher: Scholastic

Review Posted Online: March 28, 2020

Kirkus Reviews Issue: April 15, 2020

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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