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THE SISTER SWITCH

From the Best Wishes series , Vol. 2

Delightful, with just the right touch of magic.

It is Addie’s turn with the magic bracelet in this installment of the Best Wishes series.

Ten-year-old Addie Asante, a fifth grader in Columbus, Ohio, tells her tale in a letter to an unknown Lucy. Sandwiched in the middle between bossy, studious older sister Sophie, 12, and indulged little sister Camille, 5, “go-with-the-flow” Addie is used to suppressing her own desires to keep the peace with friends and family. When a mysterious package arrives with the bracelet and instructions, she puts it on at once, ignoring an enclosed warning from Becca, the previous holder of the bracelet, until it is too late. When, in an argument with Sophie, Addie wishes she weren’t the middle sister, the bracelet tightens, then glows and warms, and suddenly, the sisters have switched bodies—Addie is Sophie, Sophie is Camille, and Camille is Addie. Mayhem, confusion, twists and turns, and even laugh-out-loud hilarity ensue as each sister tries to cope with the changes. Addie can text with Becca for more information and warnings (including about the strange blond woman who wants the bracelet) but must find the solution herself. Of course, there’s a happy, heartwarming ending as Addie and her sisters share their feelings and come to understand each other. Now it’s Lucy’s turn. Addie and her family present Black in Vee’s drawings; Becca is Jewish and light-skinned.

Delightful, with just the right touch of magic. (Fantasy. 8-11)

Pub Date: April 4, 2023

ISBN: 978-1-338-62828-9

Page Count: 192

Publisher: Scholastic

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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ESCAPE FROM BAXTERS' BARN

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...

A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.

Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)

Pub Date: July 7, 2015

ISBN: 978-0-544-33217-1

Page Count: 256

Publisher: HMH Books

Review Posted Online: March 31, 2015

Kirkus Reviews Issue: April 15, 2015

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MUSTACHES FOR MADDIE

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.

A 12-year-old copes with a brain tumor.

Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62972-330-3

Page Count: 256

Publisher: Shadow Mountain

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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