A light, quirky romance; the body-swap premise provides plenty of fuel for witty one-liners and emotional reckoning.
In Ready’s novel, when a would-be couple decides that they’re just too different to be together, the universe itself forces them to consider another perspective.
In the second installment of the Ghosted series, the author introduces Serena Otaki, who lives a chaotically wonderful life working at the Large Hadron Collider on the border of Switzerland and France while remaining unapologetically single (her true love is physics). But then she meets Henry Joule, a conventional Brit who looks forward to settling down. While their chemistry is palpable, Serena breaks things off after one passionate night together when she makes two horrifying realizations: She’s falling in love with him, and Henry is her new boss. Over a year later, Serena and Henry have settled into largely avoiding each other at work, until one stormy night when lightning strikes the control room and the two experience a cosmic event that somehow makes them swap bodies. From there, plenty of surprises and misunderstandings ensue. After the vegetarian Serena refuses to eat the meat that Henry loves so much (“Eat the sausage. I don’t want to be anemic when I get my body back”) and Henry discovers the wonders of female biology (“Henry is about to experience all the wonderful joys of my menstrual cycle. It should hit tomorrow or the next day, right after he’s had a crying jag, a load of cramps, bloating, and extreme cravings for peanut butter and chocolate”), their squabbling eventually turns into a mutual understanding that paves the way for them to do what they were meant to do the whole time: fall in love.
Serena narrates the vast majority of the novel in a voice that’s warm and funny, often directly addressing the reader. This is an unusual stylistic choice and one that the author pulls off with aplomb. The romance portion of the novel leans more heavily toward the sweet than the sexy, with some cutaway love scenes and one hilarious discussion about erections. From the opening line, when Serena declares that she’s “always believed that things are only impossible until they’re not. For instance: particle physics, space travel, and sex on a tree branch,” readers are given fair warning that the characters (and the plot itself) are filled with whimsy. That’s not to say that Ready doesn’t deliver some emotional punches along the way. As they’re forced to deal with each other’s major family events—including Serena’s mother’s emergency coronary bypass surgery and Henry’s brother’s wedding—the body swap compels them to finally talk to each other in an authentic, profound way. That’s when the novel moves beyond easy physical humor and into an insightful commentary on the impossibility of having it all: “I love too much. I only have room for one great love in my life. I’ve already chosen it. I don’t want to lose my dreams. I don’t want to lose everything for love.” This connection is only deepened when Serena and Henry begin getting flashes of each other’s memories, a phenomenon that urges them to have a reluctant conversation about how they want to move forward if they can’t actually find a way to swap bodies back.
A light, quirky romance; the body-swap premise provides plenty of fuel for witty one-liners and emotional reckoning.Pub Date: Feb. 20, 2024
ISBN: 9781954007703
Page Count: 328
Publisher: W.W. Crown
Review Posted Online: May 22, 2024
Review Program: Kirkus Indie
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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