Laced with humor and, despite its minimalistic air, decipherable in more ways than one.
Even apex predators need help with their shoes sometimes.
Brannen plays a sly joke with readers’ expectations. Wandering over broad, flat Arctic scenes, a polar bear in four red sneakers, one untied, gingerly approaches in turn a herd of seals, a drove of Arctic hares, and a colony of lemmings. Understandably, all flee in panic before the bear can get out much more than “Excuse me….” On the other hand, the situation is evidently familiar to two ptarmigans who waddle up. “Shoelaces again?” “Yup.” The birds bend down—but rather than retie the loose shoe, they untie the other three. Off gambols the barefoot bear: “Thank you!” “He really needs to learn to do that himself,” remarks one. The author tells the tale in dialogue so spare that several spreads remain wordless, brushing a sometimes-deceptive sense of serenity over events by filling skies, seas, ice fields, and the big, simply drawn animal figures with subtle flushes of transparent color. Expressions are comically anthropomorphic throughout. Leaving audiences the option to read the story as metaphorical or as just a comically surreal episode, she not only makes no effort to explain the shoes, but actually trots in a likewise-shod second bear at the end. (Go figure: Maybe there was a sale.)
Laced with humor and, despite its minimalistic air, decipherable in more ways than one. (Picture book. 5-8)Pub Date: Jan. 22, 2019
ISBN: 978-0-525-51650-7
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Nov. 15, 2018
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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