Resolute women energize a remarkable, ongoing coming-of-age story.
In Barnes’ sequel, a teenage girl in ancient times is caught in the midst of a vicious rivalry for a tribe’s leadership.
In 4000 BCE, the Plānos tribe in the Pontic-Caspian steppe (modern-day Ukraine and southern Russia) loses its leader when Awos dies. His son, Potis, a clan chief and potential new Plānos leader, faces opposition from both another clan chief and his own cousin, who wants to oust Potis from his current position. A harsh winter has already depleted the livestock, making hunger a frightening possibility. But when raiders steal and mercilessly slaughter the remaining livestock, Potis suspects someone among his rivals has a hand in it. Meanwhile, Potis’ wife, Sata. and their 15-year-old daughter, Naya, return from the latter’s spiritual journey. During that time, Naya bonded with a red filly; she’s surprised that the clan has captured horses from the filly’s band and then horrified to learn they’re meant to be sacrificed to a god. It all stems from the general lack of animals for sacrifice, which is, in turn, another aspect of the battle for Plānos leadership. Potis wants to but can’t immediately make a move against the raiders, leading to serious tension within the clan. Does Wailos, the son of a rival of Potis’, have a genuine interest in marrying Naya, or is something else brewing? And will Naya feel obligated to marry him? Awos’ widow, Awija, is determined to help Potis and Naya, and a decidedly unhappy Sata contemplates bidding the clan, and likely her family, goodbye. Things take a crucial turn when Naya’s impending three-day vigil for her transition into adulthood finally arrives.
Barnes painstakingly develops the story’s female characters. The lives of Awija and Sata, for example, are paralleled; as Awija exerts an influence on events that most people are unaware of and Sata seemingly believes that her only choice is leaving everything behind, they’re both often at odds with men. Naya endures the worst of it, and she shows admirable strength while withstanding ruthless torment—mental and physical. The men are less interesting, ranging from static characters to interchangeable villains. This even includes Potis, who struggles to keep his clan and his family together, and Aytal, who met Naya in the previous series installment but, in this novel, is separated from her. They each face engaging difficulties that the story never fleshes out, opting instead to blame Potis, repeatedly, for troubles that he and others suffer. Still, the author masterfully clarifies the tribe’s customs and offers instances of its language, making it easy for readers to lose themselves in a narrative set millennia ago. Also, the prose paints colorful visuals, as when noting the “green flecks glinting in the firelight” in someone’s eyes and a setting sun’s “streamers of yellow and orange to accent the darkening sky.” With the exception of one significant death’s relatively minor impact, the ending is satisfying and sets the stage for the final book in a prospective trilogy.
Resolute women energize a remarkable, ongoing coming-of-age story.Pub Date: June 21, 2025
ISBN: 9798992769005
Page Count: 364
Publisher: N/A
Review Posted Online: Aug. 19, 2025
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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