While picking blackberries with his mother, a little boy is enticed by a blue butterfly and wanders away. His mother persuades Old Crow to find the child and begins describing her Angel Face to him. Old Crow begins looking for the child with dusty almonds for eyes, a mango sliver for a mouth, and hair like a rushing river, but Old Crow can only find a little boy with a face that is “plainer than a cricket.” Not wanting to return to the distraught woman empty-handed, he wakes the boy and leads him back to her. She immediately embraces the little boy, repeating her claims of his beauty. She tells Old Crow, “I knew you’d know it anyplace, my Angel’s Face.” The rhyming couplets and rich, descriptive language make the text as beautiful as the artwork swirling around it. Richly colored illustrations rendered in pastel on textured paper fill each double-paged spread. With a nod to the folk-art tradition, the paintings could stand alone from the text They are softer than Caldecott Medalist Diaz’s (Roadrunner’s Dance, 2000, etc.) usual work and a perfect accompaniment. A CD by the author-songwriter is included. A tribute to the unique beauty of every child and the special love of a mother for her son. (Picture book. 3-7)
Pub Date: April 1, 2002
ISBN: 0-689-83302-4
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2002
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
An affirming, though lackluster, look at a loving queer family.
For his debut picture book, teacher and activist Chasten Buttigieg draws inspiration from life with husband Pete Buttigieg, former U.S. transportation secretary.
The big day has finally arrived! Rosie and Jojo have been counting down the days until Papa comes home from his work trip. With a little help from Daddy, they make “welcome home” signs to greet Papa at the airport, pick flowers from the garden, and bake a “seven-layer chocolate cake with purple and yellow frosting.” Much to Daddy’s bemusement, the kids gather all of Papa’s favorite things, including his robe and slippers and their adorable pooch, Butter, as they walk out the door to pick up Papa from his travels. The author offers an affectionate portrait of the everyday domestic life of a same-sex family unit. While many kids and adults will be pleased to see their experiences reflected on the page, both the choppy writing and the flat digital artwork are fairly bland. Characters display similarly excited facial expressions throughout, while the portrayal of the children borders on overly cutesy at times, with intentionally misspelled signs throughout the house (“Papa’s Very Spechull Garden. Please do not tutch”). Like the author’s actual children, Rosie and Jojo are brown-skinned, while Daddy and Papa present white.
An affirming, though lackluster, look at a loving queer family. (Picture book. 4-7)Pub Date: May 20, 2025
ISBN: 9780593693988
Page Count: 40
Publisher: Philomel
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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