HONEY

Melody Bishop's peaceful life with her widower father is upset when the annoying 6-year-old next door comes home from the beauty parlor with some gossip.

The 10-year-old has already noticed her father's increased distraction and a new tendency to whistle, so when Teeny Nelson reports that "Henry's been bitten by the love bug," Melody is avid to know more. With her best friend, biracial Nick Woo, at her side, she goes to the Bee Hive beauty salon to investigate. What she discovers there rocks her world not once but twice, as salon owner Bee-Bee has information about Melody's mother, who died in childbirth and about whom her father never speaks. Weeks gets the small moments right: Melody's exasperation with Teeny and the way it turns to sympathy when the little girl's mother threatens a spanking; her affectionate resignation when her grandfather, who has emphysema, sneaks out to the garage for a smoke. And Melody's close relationship with her loving father is sweetly evoked. But other elements fail to cohere. Obvious misdirection leads Melody to a critical misunderstanding that never amounts to more than a plot contrivance, and the mystical visions of Bee-Bee's dog, Mo, who has an unknown connection to Melody, strain credulity.

In all, it's an unsuccessful follow-up to Weeks' Pie (2011), but word-loving Melody is appealing, and her appended list of nail-polish colors is somewhat amusing.