One for the fans.
An earnest pastiche of political theorizing, travel memoir, and environmental exhortation that attempts to encourage readers to act constructively in an increasingly disconnected world.
The former editor of Cosmopolitan Australia and author of I Quit Sugar and its many sequels confronts the “itch” she feels as a result of a world beset by climate change, Covid-19, and the consequences of neoliberalism. She has made a good faith effort to integrate the changes wrought on the world by the coronavirus into a book ready for publication before the pandemic hit. No one could accuse her of inadequate research: Almost every page is peppered with quotations, statistics, and factoids, often set in the margins. While there are no sources included in the book, the author notes links to some on her website. Many others—such as Wilson's assertion that “many famous artists, writers and creatives walk to cure bipolar and constipation, or, more often than not, both (because they often travel together)”—are not readily verifiable and may take further digging by readers. The text comprises 136 miniature chapters, interwoven with frustratingly brief descriptions of hikes the author has taken in various sites in the world. Summaries of snippets of scientific research alternate with pages of advice on living a minimalist life as well as chapters about the author's personal journey, with emphasis on a trip to Crete when she was in her mid-40s to attempt a pregnancy by way of in vitro fertilization using the sperm of a 21-year-old Danish poetry student. Some of Wilson's advice is suspect: She advocates hitchhiking as well as hiking without water or a map. Her suggestions regarding frugality are sometimes excessive, as when she notes how she “started collecting butter scraps at cafes” in addition to fish bones and carcasses to make bone broth. Loosely structured at best, the disjointed narrative jumps from topic to topic every page or two, which will leave many readers adrift.
One for the fans.Pub Date: Dec. 29, 2020
ISBN: 978-0-06-296297-3
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: Sept. 23, 2020
Kirkus Reviews Issue: Oct. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A sweet final word from an actor who leaves a legacy of compassion and kindness.
The late actor offers a gentle guide for living with more purpose, love, and joy.
Mixing poetry, prescriptive challenges, and elements of memoir, Heche (1969-2022) delivers a narrative that is more encouraging workbook than life story. The author wants to share what she has discovered over the course of a life filled with abuse, advocacy, and uncanny turning points. Her greatest discovery? Love. “Open yourself up to love and transform kindness from a feeling you extend to those around you to actions that you perform for them,” she writes. “Only by caring can we open ourselves up to the universe, and only by opening up to the universe can we fully experience all the wonders that it holds, the greatest of which is love.” Throughout the occasionally overwrought text, Heche is heavy on the concept of care. She wants us to experience joy as she does, and she provides a road map for how to get there. Instead of slinking away from Hollywood and the ridicule that she endured there, Heche found the good and hung on, with Alec Baldwin and Harrison Ford starring as particularly shining knights in her story. Some readers may dismiss this material as vapid Hollywood stuff, but Heche’s perspective is an empathetic blend of Buddhism (minimize suffering), dialectical behavioral therapy (tolerating distress), Christianity (do unto others), and pre-Socratic philosophy (sufficient reason). “You’re not out to change the whole world, but to increase the levels of love and kindness in the world, drop by drop,” she writes. “Over time, these actions wear away the coldness, hate, and indifference around us as surely as water slowly wearing away stone.” Readers grieving her loss will take solace knowing that she lived her love-filled life on her own terms. Heche’s business and podcast partner, Heather Duffy, writes the epilogue, closing the book on a life well lived.
A sweet final word from an actor who leaves a legacy of compassion and kindness.Pub Date: Jan. 24, 2023
ISBN: 9781627783316
Page Count: 176
Publisher: Viva Editions
Review Posted Online: Feb. 6, 2023
Kirkus Reviews Issue: March 1, 2023
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