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CITY OF THE PLAGUE GOD

From the Adventures of Sik Aziz series , Vol. 1

Well paced and witty.

Thirteen-year-old Iraqi American Sikander Aziz must stop the ancient Mesopotamian plague god Nergal from raining destruction and pestilence on New York City.

After the death of his older brother, Mo, who died during a trip to Iraq, Sik has been working in his refugee parents’ New York deli nonstop, trying to stymie his grief. But when Nergal and his minions trash the deli while seeking a stolen treasure, they start a plague that infects Sik’s parents and threatens all of New York. Teaming up with the goddess Ishtar; her sword-wielding adoptive daughter, Belet; and Mo’s frequently typecast aspiring actor best friend, Daoud, they must find a way to stop Nergal and cure New York’s residents in an epic adventure worthy of Gilgamesh. Chadda brings attention to the less well-recognized mythology of ancient Mesopotamia with engaging humor and wit. Dialogue between characters, most of whom are Iraqi and Iraqi American, allows exploration of heavier topics of Islamophobia, anti-Arabism, and terrorist and Orientalist tropes to be inserted with ease. The Aziz family and Daoud are Muslims; Chadda navigates the difficult line of reconciling the depiction of characters interacting with multiple gods with the fundamental Muslim belief in one God both in the text and the backmatter. Daoud and Mo are alluded to being gay and having been in love.

Well paced and witty. (author's note, glossary) (Fantasy. 10-14)

Pub Date: Jan. 12, 2021

ISBN: 978-1-368-05150-7

Page Count: 400

Publisher: Rick Riordan Presents/Disney

Review Posted Online: Oct. 11, 2020

Kirkus Reviews Issue: Nov. 1, 2020

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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THE ICKABOG

Gripping and pretty dark—but, in the end, food, family, friendship, and straight facts win out over guile, greed, and terror.

Rowling buffs up a tale she told her own children about a small, idyllic kingdom nearly destroyed by corrupt officials.

In the peaceful land of Cornucopia, the Ickabog has always been regarded as a legendary menace until two devious nobles play so successfully on the fears of naïve King Fred the Fearless that the once-prosperous land is devastated by ruinous taxes supposedly spent on defense while protesters are suppressed and the populace is terrorized by nighttime rampages. Pastry chef Bertha Beamish organizes a breakout from the local dungeon just as her son, Bert, and his friend Daisy Dovetail arrive…with the last Ickabog, who turns out to be real after all. Along with full plates of just deserts for both heroes and villains, the story then dishes up a metaphorical lagniappe in which the monster reveals the origins of the human race. The author frames her story as a set of ruminations on how evil can grow and people can come to believe unfounded lies. She embeds these themes in an engrossing, tightly written adventure centered on a stomach-wrenching reign of terror. The story features color illustrations by U.S. and Canadian children selected through an online contest. Most characters are cued as White in the text; a few illustrations include diverse representation.

Gripping and pretty dark—but, in the end, food, family, friendship, and straight facts win out over guile, greed, and terror. (Fantasy. 10-13)

Pub Date: Nov. 10, 2020

ISBN: 978-1-338-73287-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: Nov. 16, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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