Next book

THE ACTUAL

A NOVELLA

The working-out of these intricate plotlines is rather perfunctory, and a few redundancies have escaped editing, but the...

Nobel laureate Bellow's recent penchant for the novella (A Theft, The Bellarosa Connection, both 1989) continues with this witty portrayal of late-life intrigue, politicking, and passion.

Chicagoan Harry Trellman, the story's narrator, is a semi- retired importer whose cautious demeanor and unusual physiognomy (he describes his countenance as "Chinese-looking") have made him a kind of outsider—from the centers of financial power and also from the satisfactions of romantic love. A "first-class noticer," Harry is appropriated as an advisor by elderly Sigmund Adletsky, trillionaire hotel magnate, and, as a chance by-product of joining Adletsky's "brain trust," Harry is reunited with Amy Wustrin, the woman he'd loved decades ago, and with the bittersweet memory of Amy's late husband and his old pal, faithless, freewheeling Jay ("If being sexual was like being drunk, Jay was something like a drunken driver"). Bellow expertly tangles these characters' lives together: Amy, an interior decorator, is hired to assess the value of furnishings in a luxury apartment the Adletskys covet—owned by Bodo Heisinger, whose wife Madge was convicted and imprisoned for hiring a hit man to kill Bodo, who nevertheless continued to adore her and secured her release. Though Harry thinks he's separated, by looks and lifestyle, from this melodramatic human muddle ("I see myself taking pleasure in these assorted people, their motives, their behavior"), he learns he's one of them—a perception emphatically confirmed by a cliffhanger ending recalling that of Bellow's great short novel Seize the Day.

The working-out of these intricate plotlines is rather perfunctory, and a few redundancies have escaped editing, but the writing is sharp, and we're absorbed by the personalities of several vividly sketched characters, especially Harry, one of Bellow's most engaging everymen. Like Augie March, Harry Trellman chooses life; like Tommy Wilhelm (of Seize the Day), he's shaped and driven not by intellectual or social imperatives, but by the insistent proddings of "the heart's ultimate need."

Pub Date: May 1, 1997

ISBN: 0-670-86075-1

Page Count: 112

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1997

Categories:
Next book

THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

Categories:
Next book

HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

Categories:
Close Quickview