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ALL THE THINGS WE DO IN THE DARK

A searing, fast-paced whodunit that addresses sexual assault head-on.

A teen loner grapples with buried demons as she stumbles on someone else’s secret in the woods.

In her latest novel, Mitchell (The Prom, 2019, etc.) again explores the sexual awakening of adolescent identities—this time against the backdrop of childhood sexual assault. Though hesitant to open up to anyone apart from her best friend, Syd, 17-year-old Ava Parkhurst reveals early on that she was raped at age 9 and visibly scarred for life when her attacker traced “a razor blade finger” down her cheek. As if Ava, a good student who strives to live in the present and not fixate on past trauma, doesn’t have enough challenges—Syd is keeping secrets from her; her father has moved out, leaving her and her mother on their own; and, for the first time, she’s finding herself physically attracted to the daughter of the policeman who, years before, handled her assault case—a walk in the woods one snowy Maine night leads to a harrowing discovery that dangerously tests the confines of Ava’s carefully guarded world. Mitchell’s roller-coaster confessional narrative runs the gamut from teen melodrama between friends and the throes of first love to reckoning with guarded secrets and the psychological fallout from astoundingly brutal acts. Most characters default to white; Ava's love interest is biracial (white Jewish and Korean).

A searing, fast-paced whodunit that addresses sexual assault head-on. (author’s note, resources) (Thriller. 14-18)

Pub Date: Oct. 29, 2019

ISBN: 978-0-06-285259-5

Page Count: 304

Publisher: HarperTeen

Review Posted Online: July 25, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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WE WERE LIARS

From the We Were Liars series

Riveting, brutal and beautifully told.

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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

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