Accessible, perceptive fiction from a talented writer.
A story collection confidently and intriguingly connecting relationships to their locations.
All but the title story in Israeli author Liebrecht’s collection (A Man and a Woman and a Man, 2001, etc.) bear the name of a city or a country. In the opener, “America,” the narrator describes her mother’s departure for the U.S. with another woman’s husband and his newborn baby daughter. The two girls, allies and enemies, meet a handful of times, but only after most of the parents are dead does a truth emerge that rearranges the entire emotional landscape. This rich scenario introduces themes that will reappear elsewhere: orphaned and damaged children, long-contained anger and pain, family bonds. “Hiroshima” also makes fertile use of a delicate set-up, Idit’s move to Japan when her relationship with Natan stalls. In a foreign city, she learns lessons about another Holocaust and about the opacity of cross-cultural involvements. Liebrecht’s choices of location often carry historical and emotional baggage, and several of her protagonists are the offspring of Holocaust survivors. “Munich” depicts neo-Nazi violence against Muslims, drawing political parallels with Kristallnacht. “Jerusalem” tellingly moves between the present, with Idit tensely returning from Hiroshima to her old home and love, and the past, in which a historical figure gives voice to the city’s spiritual aspect while signaling the imminent destruction of the Temple. A warm and empathetic intelligence informs this book, fluently translated by Silverstein. Only a taste of melodrama occasionally mars its sensitivity, as in “Kibbutz,” which shows kibbutzniks abusing two mentally disabled members of the group. The concluding, post-apocalyptic title story is set in a nameless place where new family connections are being painfully forged and tenderness exists alongside a more brutal pragmatism.
Accessible, perceptive fiction from a talented writer.Pub Date: Dec. 1, 2005
ISBN: 0-89255-320-0
Page Count: 256
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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