An accessible and remarkably fair-minded book of particular importance in its immediate relevance.
This valuable and convincing second novel by Arab-Israeli journalist Kashua (Dancing Arabs, 2004) captures how the Middle East conflict affects a young man of similar background to the novelist’s own.
The story concerns an Arab-Israeli journalist, who, stung by the discrimination of his Jewish neighbors and colleagues, moves back to the small Arab town where he and his wife were born. Because his editor is increasingly mistrustful of Arabs and indifferent to their point of view, the hero has practically no work, which he experiences as shameful and conceals from his family. Thus the move home feels like a step backward, or worse, since the town has declined in safety and civility: Gang-bangers with Uzis shake down local storekeepers, and Arabs with Israeli citizenship exploit illegal Palestinian day workers. The most ominous change is in how the town is categorized by Jewish Israelis. Without warning, tanks suddenly seal off the village. Phone service, electrical power, water and sewer lines are shut down. This cataclysmic break with normalcy has no explanation. Like characters in Kafka, the locals try to puzzle out a reason for the hardships they are subjected to. When a contractor on his way to work in a Jewish settlement approaches a barricade to talk his way through, his truck is blown up by mortar fire. Later, he will be described on Israeli television as a terrorist. The narrator’s father, a village elder, trusts his Jewish compatriots; younger men riot. Without food or water in the parching heat, plagued by the stench of sewage and uncollected garbage, the villagers wait helplessly, none knowing why their rights and services have been withdrawn. But as brutal and irrational events unfold, they must still find a way to live and work.
An accessible and remarkably fair-minded book of particular importance in its immediate relevance.Pub Date: June 9, 2006
ISBN: 0-8021-7021-8
Page Count: 288
Publisher: Black Cat/Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2006
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
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