Will find a ready readership among fans.
Old friends find that nostalgia isn’t the only thing lurking in their childhood stomping ground.
Charlie and her friends gather in their small hometown of Hurricane to honor their deceased friend, Michael, in this graphic-novel adaption of the 2016 novel by the same name inspired by the video game franchise. Previously owned and operated by Charlie’s father, Freddy Fazbear’s Pizza has been subsumed by the construction of a mall. It was a primary source of entertainment for her and her friends—as well as the site of Michael’s mysterious disappearance. Yet when the friends break into the pizza parlor to reminisce and explore, they find that in addition to abandoned animatronic characters, arcade games, and rides, their childhood playground holds dark forces looking for prey—and disturbing memories from the past begin to intrude. The full-color art is simple, with ample white space, and the illustrations are effectively creepy, with variations in the layout of the panels. However, readers may have trouble tracking the large cast of characters and their relationships, especially with several flashbacks that reveal past traumas. The action-packed and occasionally gory plot will engage, but abrupt transitions and a too-quick resolution take readers out of the world of the story. All main characters are white, with the exception of one who is black.
Will find a ready readership among fans. (Graphic horror. 12-16)Pub Date: Dec. 26, 2019
ISBN: 978-1-338-29848-2
Page Count: 192
Publisher: Scholastic
Review Posted Online: Sept. 9, 2019
Kirkus Reviews Issue: Oct. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A charming adaptation.
A miscommunication leaves Matthew and Marilla Cuthbert responsible for a plucky, effusive orphan girl instead of the boy they’d expected to help maintain their farm.
Retold in traditional manga format, with right-to-left panel orientation and detailed black-and-white linework, this adaptation is delightfully faithful to the source text. Larger panels establish the idyllic country landscape while subtle text boxes identify the setting—Prince Edward Island, Canada, in the 1870s. The book follows redheaded Anne Shirley from her arrival at Green Gables at 11 to her achievement of a college scholarship. In the intervening years, Anne finds stability, friendship, personal growth, and ambition in Avonlea and in the strict but well-intentioned Cuthbert siblings’ household. The familiar story is enhanced by the exciting new format and lush illustrations. A variety of panel layouts provides visual freshness, maintaining reader interest. Backmatter includes the floor plan of the Green Gables house, as well as interior and exterior views, and notes about research on the actual location. A description of the process of adapting the novel to this visual format indicates the care that was taken to highlight particular elements of the story as well as to remain faithful to the smallest details. Readers who find the original text challenging will welcome this as an aid to comprehension and Anne’s existing fans will savor a fresh perspective on their beloved story. All characters appear to be White.
A charming adaptation. (Graphic fiction. 12-14)Pub Date: Sept. 1, 2020
ISBN: 978-1-947808-18-8
Page Count: 308
Publisher: Manga Classics
Review Posted Online: Aug. 18, 2020
Kirkus Reviews Issue: Sept. 1, 2020
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A timely and well-paced story of personal discovery.
Time travel brings a girl closer to someone she’s never known.
Sixteen-year-old Kiku, who is Japanese and white, only knows bits and pieces of her family history. While on a trip with her mother to San Francisco from their Seattle home, they search for her grandmother’s childhood home. While waiting for her mother, who goes inside to explore the mall now standing there, a mysterious fog envelops Kiku and displaces her to a theater in the past where a girl is playing the violin. The gifted musician is Ernestina Teranishi, who Kiku later confirms is her late grandmother. To Kiku’s dismay, the fog continues to transport her, eventually dropping her down next door to Ernestina’s family in a World War II Japanese American internment camp. The clean illustrations in soothing browns and blues convey the characters’ intense emotions. Hughes takes inspiration from her own family’s story, deftly balancing complicated national history with explorations of cultural dislocation and biracial identity. As Kiku processes her experiences, Hughes draws parallels to President Donald Trump’s Muslim ban and the incarceration of migrant children. The emotional connection between Kiku and her grandmother is underdeveloped; despite their being neighbors, Ernestina appears briefly and feels elusive to both Kiku and readers up to the very end. Despite some loose ends, readers will gain insights to the Japanese American incarceration and feel called to activism.
A timely and well-paced story of personal discovery. (photographs, author’s note, glossary, further reading) (Graphic historical fantasy. 12-16)Pub Date: Aug. 18, 2020
ISBN: 978-1-250-19353-7
Page Count: 288
Publisher: First Second
Review Posted Online: May 16, 2020
Kirkus Reviews Issue: June 1, 2020
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