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CHARLIE CHAPLIN VS. AMERICA

WHEN ART, SEX, AND POLITICS COLLIDED

A brilliant must-read about the epic and turbulent life and times of a cinematic titan.

A history of the ideological, cultural, and personal campaign against the motion picture industry's most independent and incandescent light of the 20th century.

Eyman, author of biographies of Cary Grant, John Wayne, John Ford, and other major names in film history, presents a beautifully composed and unique look at how Chaplin was characterized as an immoral sexual deviant and Soviet-sympathizing subversive. The author vividly documents the federal government's relentless pursuit of Chaplin, particularly the notorious House Un-American Affairs Committee and J. Edgar Hoover's FBI, whose file on Chaplin grew to 1,900 pages, many of which were leaked to the artist's most mendacious and vociferous antagonists in the press. Eyman also showcases his keen knowledge of filmmaking by dissecting and analyzing Chaplin's work, particularly focusing on specific elements of his most socially significant productions: the darker, farcical aspects of capitalism in Modern Times; the anti-Nazi sendup of Hitler in The Great Dictator, which found him besieged by the then-isolationist U.S. government, the British government, and the Nazis themselves; and the audience-disappointing Monsieur Verdoux, the idea for which Chaplin purchased from Orson Welles. Eyman's insightful, articulate approach illuminates the fruits of his lifelong research, whether he is discussing Chaplin's grilling during a paternity suit in which he was wrongfully convicted (which gave aid and comfort to his enemies); his hands-on directing and the graceful athleticism of his acting; or the consistency of his somewhat naïve political views amid the tectonic shifts in American political sentiment following World War II. While Eyman clearly admires Chaplin, he does not descend into idolatry. The author starkly portrays Chaplin's personal shortcomings and idiosyncrasies as well as his winning, losing, and recapturing of his audience. Eyman also shows his happiness and domestic tranquility in his marriage to Oona O'Neill, whom he wed when he was 54 and she 18, a situation that established another launching pad for public outrage.

A brilliant must-read about the epic and turbulent life and times of a cinematic titan.

Pub Date: Oct. 31, 2023

ISBN: 9781982176358

Page Count: 432

Publisher: Simon & Schuster

Review Posted Online: June 12, 2023

Kirkus Reviews Issue: July 15, 2023

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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MELANIA

A slick, vacuous glimpse into the former first lady’s White House years.

A carefully curated personal portrait.

First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.

A slick, vacuous glimpse into the former first lady’s White House years.

Pub Date: Oct. 8, 2024

ISBN: 9781510782693

Page Count: 256

Publisher: Skyhorse Publishing

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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