by Scott MacGregor illustrated by Gary Dumm ‧ RELEASE DATE: Oct. 1, 2017
Illuminates a neglected but relevant part of history and subtly draws parallels to today’s water infrastructure crises.
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In 1916 Cleveland, a risky tunnel construction project brings together a black inventor and laborers in this debut graphic novel.
Inventor Benjamin Beltran has just developed a helmet that allows people to breathe while surrounded by smoke, but no one will buy his product or let him run ads for it—because he’s black. Worse, the press won’t even cover his invention because, one journalist tells him, “our readers will never accept a negro as the ‘hero’ of a story.” Meanwhile, public outrage builds as a young boy contracts typhoid from the contaminated water piped in from Lake Erie. The mayor urges his waterworks chief to hasten the progress on the tunnel being dug under the lake in search of purer water. The laborers—Irish, German, and more—are given a few extra dollars to dig when the tunnels are filled with dangerous, combustible methane. One of these workers is Rodger Clarke, an Irishman who remembers clearly an incident 10 years ago when a crib, a construction structure in the lake, went up in flames, killing many of his friends in the tunnel and somehow sparing him. Then, one July night, history repeats itself: Clarke is in the tunnel when a deposit of methane is suddenly released, suffocating men and setting the crib aflame—and only Beltran, with his new invention, stands a chance of saving them. In a preface, MacGregor positions his timely historical novel about contaminated water as an ode to the common man and a meditation on the injustices of history (and an attempt to correct the record). Largely, he succeeds, with vivid characters; an engrossing, well-paced narrative; and a knack for evoking the racism and classism of the time. Dumm’s (co-illustrator: Masterful Marks: Cartoonists Who Changed the World, 2014) art tends toward the grotesque—the characters are all bulging eyes and thick lines, and it’s often difficult to tell who exactly is speaking because many of the players look similar. But scenes and landscapes are deftly rendered.” One of the narrative’s highlights is the earthy banter between the laborers that leavens the weighty topics in the book: When an unpopular character is pulled from the tunnel alive, there are boos and shouts of “throw ’im back!”
Illuminates a neglected but relevant part of history and subtly draws parallels to today’s water infrastructure crises.Pub Date: Oct. 1, 2017
ISBN: 978-1-61984-780-4
Page Count: 278
Publisher: EOI Media Press Inc.
Review Posted Online: Jan. 20, 2018
Kirkus Reviews Issue: March 15, 2018
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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