Illuminates a neglected but relevant part of history and subtly draws parallels to today’s water infrastructure crises.
In 1916 Cleveland, a risky tunnel construction project brings together a black inventor and laborers in this debut graphic novel.
Inventor Benjamin Beltran has just developed a helmet that allows people to breathe while surrounded by smoke, but no one will buy his product or let him run ads for it—because he’s black. Worse, the press won’t even cover his invention because, one journalist tells him, “our readers will never accept a negro as the ‘hero’ of a story.” Meanwhile, public outrage builds as a young boy contracts typhoid from the contaminated water piped in from Lake Erie. The mayor urges his waterworks chief to hasten the progress on the tunnel being dug under the lake in search of purer water. The laborers—Irish, German, and more—are given a few extra dollars to dig when the tunnels are filled with dangerous, combustible methane. One of these workers is Rodger Clarke, an Irishman who remembers clearly an incident 10 years ago when a crib, a construction structure in the lake, went up in flames, killing many of his friends in the tunnel and somehow sparing him. Then, one July night, history repeats itself: Clarke is in the tunnel when a deposit of methane is suddenly released, suffocating men and setting the crib aflame—and only Beltran, with his new invention, stands a chance of saving them. In a preface, MacGregor positions his timely historical novel about contaminated water as an ode to the common man and a meditation on the injustices of history (and an attempt to correct the record). Largely, he succeeds, with vivid characters; an engrossing, well-paced narrative; and a knack for evoking the racism and classism of the time. Dumm’s (co-illustrator: Masterful Marks: Cartoonists Who Changed the World, 2014) art tends toward the grotesque—the characters are all bulging eyes and thick lines, and it’s often difficult to tell who exactly is speaking because many of the players look similar. But scenes and landscapes are deftly rendered.” One of the narrative’s highlights is the earthy banter between the laborers that leavens the weighty topics in the book: When an unpopular character is pulled from the tunnel alive, there are boos and shouts of “throw ’im back!”
Illuminates a neglected but relevant part of history and subtly draws parallels to today’s water infrastructure crises.Pub Date: Oct. 1, 2017
ISBN: 978-1-61984-780-4
Page Count: 278
Publisher: EOI Media Press Inc.
Review Posted Online: Jan. 20, 2018
Kirkus Reviews Issue: March 15, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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