Entertaining and clever—and that’s no lie.
Some boys cry wolf, but to the admiration of one individual, Ben cries Bigfoot.
The opening line by an unseen narrator introduces the young tale-teller: “This is the story of my friend Ben and how we first met.” Events unfold over the course of a day, with cartoon-style art providing definitive clues as to the passage of time. In the morning, Ben rides his bicycle to the top of a hill, where he calls out: “LOOK, EVERYONE! IT’S BIGFOOT!” With the narrator providing commentary, the hilltop becomes a stage onto which other characters enter and exit. Ben is the constant, always trying to provoke response. Readers will quickly note that the indulgent narrator’s voice is at odds with Ben’s increasingly frantic antics, and they will begin to wonder just who is telling the story. Could it be Bigfoot? Indeed! He likes Ben’s determination—and Ben’s bike, which he takes for a little spin that night, leaving a scared Ben behind. Youngsters may at first feel glad that Ben gets his comeuppance when no one rushes to his aid but will soon relent when they see how forlorn Ben looks alone in the dark. Once home, it seems Ben has learned his lesson, although how he determines to tell the truth in the future is bound to leave readers giggling.
Entertaining and clever—and that’s no lie. (Picture book. 4-8)Pub Date: Feb. 5, 2013
ISBN: 978-1-4424-1257-6
Page Count: 48
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: Dec. 11, 2012
Kirkus Reviews Issue: Jan. 1, 2013
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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