Is the dark object floating amidships that Nathan first took for the body of older brother Jeremy a chest or a canoe or a coffin? Did oldest brother Caleb murder Jeremy because of resentment at Jeremy's testifying that Caleb was responsible for the loss of the Amy Foster, thereby costing him his captain's papers? Why didn't Caleb say at the inquiry that he had left orders in the ship's log that would, if followed, have saved the ship? Could it be that Nathan's idel Jeremy lied? Could it be that Nathan's idel Jeremy lied? Could it be that Caleb is not the monster he seems? These questions and more make a maze of the early chapters and delay emergence of the crux which is corollary to Caleb's finding of the log clearing him (implicating Jeremy, whom he didn't kill) — that is his identification with Ahab, which appears after sixteen-year-old Nathan has chosen Moby Dick as a birthday present, then focuses on the chest-canoe-coffin which Caleb believes to be Queequeeg's Dark Canoe that later became Ishmael's life buoy. And now that he has replaced the thirty Turk's head knots, he will resume Ahab's hunt for the White Whale. . . until dissuaded by Nathan, echoing Starbuck. At the conclusion carpenter Judd remarks "This book you've been reading. . . I'd like to look at it too"— and as an initiation to Moby Dick this is more viable than it is as a knotted and knobby short novel.
Pub Date: Oct. 31, 1968
ISBN: N/A
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Oct. 18, 2011
Kirkus Reviews Issue: Oct. 1, 1968
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
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