Is the dark object floating amidships that Nathan first took for the body of older brother Jeremy a chest or a canoe or a coffin? Did oldest brother Caleb murder Jeremy because of resentment at Jeremy's testifying that Caleb was responsible for the loss of the Amy Foster, thereby costing him his captain's papers? Why didn't Caleb say at the inquiry that he had left orders in the ship's log that would, if followed, have saved the ship? Could it be that Nathan's idel Jeremy lied? Could it be that Nathan's idel Jeremy lied? Could it be that Caleb is not the monster he seems? These questions and more make a maze of the early chapters and delay emergence of the crux which is corollary to Caleb's finding of the log clearing him (implicating Jeremy, whom he didn't kill) — that is his identification with Ahab, which appears after sixteen-year-old Nathan has chosen Moby Dick as a birthday present, then focuses on the chest-canoe-coffin which Caleb believes to be Queequeeg's Dark Canoe that later became Ishmael's life buoy. And now that he has replaced the thirty Turk's head knots, he will resume Ahab's hunt for the White Whale. . . until dissuaded by Nathan, echoing Starbuck. At the conclusion carpenter Judd remarks "This book you've been reading. . . I'd like to look at it too"— and as an initiation to Moby Dick this is more viable than it is as a knotted and knobby short novel.
Pub Date: Oct. 31, 1968
ISBN: N/A
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Oct. 18, 2011
Kirkus Reviews Issue: Oct. 1, 1968
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Sky-based pyrotechnics make for a fun if somewhat confusing telling.
In this collaboration between sci-fi novelist Sanderson and Amulet creator Kibuishi, an unreliable narrator informs readers that here be no dragons.
“A boy sat in a chair.” The book opens on a bespectacled, light-skinned child in old-fashioned attire. The narration continues, “That’s it. He just sat in a chair,” while on the opposite page, the boy’s chair has unexpectedly whisked him heavenward. The narrator attempts to convince readers that just sitting in a chair is boring. As the story continues, however, the boy is attacked by an array of sky ruffians operating vessels; fight scenes and impressive explosions ensue. A dragon makes an appearance as the narrator drones on about how dull the story is. Kibuishi’s detailed cartoon images depict an enticing steampunk-esque world. Adults reading this book to kids might want to read the text first without the pictures; on a second run they can show off the images, neatly illustrating the important interplay of text and visuals in sequential art. Unfortunately, for all that the illustrations maintain the action at a fair clip, near the end the plot grows muddled as the boy gets out of his chair but then tumbles to the ground: Was he falling and then trying to stop himself? Some adult intervention may be required to clarify what precisely is happening on the page.
Sky-based pyrotechnics make for a fun if somewhat confusing telling. (Picture book. 4-7)Pub Date: Sept. 24, 2024
ISBN: 9781250843661
Page Count: 48
Publisher: Roaring Brook Press
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
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