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MY NAME IS NOT ANGELICA

A 16-year-old slave gift witnesses the 1733 rebellion of slaves against Dutch planters in the Virgin Islands. Raisha, daughter of a powerful tribal counselor, and her fiancé, Prince Konje, are sold into slavery by a rival tribe. Raisha becomes the body slave of a plantation owner's wife, who renames her Angelica because of her sweet smile. Hit by drought and hurricanes, the struggling owners enforce long hours, provide rotten food, and cruelly punish even small infractions. Many slaves, including Konje, join a runaway camp; every night their drums tell of the coming rebellion. But when Raisha joins the rebels, she finds them starving and almost weaponless. Eventually, French troops summoned from Martinique trap the slaves, who all—except Raisha—choose to jump from the sea cliffs rather than return to slavery. On Martinique, Raisha bears Konje's child and gains her freedom. There are about five stories here, each overly brief and sparsely told. Konje is transformed from a spoiled, immature prince to a rebel leader without a single scene of character growth. The plantation owners are one-dimensionally crude and cruel. There are glimpses of intriguing, sumptuous African kingdoms and moments of compelling drama, as when Raisha witnesses the death of a fellow slave; but the story needs more substance to capture the appetites of young readers for this chapter in history.

Pub Date: Oct. 1, 1989

ISBN: 0547406304

Page Count: -

Publisher: Houghton Mifflin

Review Posted Online: Oct. 18, 2011

Kirkus Reviews Issue: Sept. 15, 1989

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STEALING HOME

An emotional, much-needed historical graphic novel.

Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.

Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.

An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)

Pub Date: Oct. 5, 2021

ISBN: 978-1-5253-0334-0

Page Count: 112

Publisher: Kids Can

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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REFUGEE

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.

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In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.

Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)

Pub Date: July 25, 2017

ISBN: 978-0-545-88083-1

Page Count: 352

Publisher: Scholastic

Review Posted Online: May 9, 2017

Kirkus Reviews Issue: June 1, 2017

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