If Bright Morning were to show her pleasure in the river's running, the new spring's signal to take the sheep up to the mesa, or if her people were to shed tears on The Long Walk into captivity, the gods would be displeased: with the same dignity and reserve, Mr. O'Dell makes of her story the Navaho epic of dispossession and endurance. She has a foretaste of captivity as a servant in a Spanish town, and in mute hostility resists her mistress' overtures. Escaping with two others, she is joined by Tall Boy, haughty as always, who is injured by a Spanish bullet and will no longer be able to pull a bowstring or throw a lance; will he no longer be acceptable as a husband? Then — developments coming like drops of water — the Long Knives, the American soldiers, tell them they must leave the canyon. They go into the high country to await the soldiers' departure but day after day sees the erosion of their hopes until, their hogans and cornfields destroyed, the very trees stripped of nourishing bark, they try to break away. Overtaken, they are driven eastward, soon to be joined by all the clans, the whole nation of the Navaho. Bosque Redondo is a gray flatlands already occupied by irascible Apaches; a baby entrusted to Bright Morning dies, and many. many others; the women are idle, the men listless. So is Tall Boy, now Bright Morning's husband (what is a dangling arm here?), but she spurs him to return to the canyon. . . which they reach at last, to find a few of her precious sheep remaining. A slender story, a novella really, but telling, though one's commitment is to the cause rather than to the people.
Pub Date: Oct. 19, 1970
ISBN: 0547406320
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Oct. 18, 2011
Kirkus Reviews Issue: Oct. 1, 1970
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Hugely entertaining, timely, and triumphant.
Robot Roz undertakes an unusual ocean journey to save her adopted island home in this third series entry.
When a poison tide flowing across the ocean threatens their island, Roz works with the resident creatures to ensure that they will have clean water, but the destruction of vegetation and crowding of habitats jeopardize everyone’s survival. Brown’s tale of environmental depredation and turmoil is by turns poignant, graceful, endearing, and inspiring, with his (mostly) gentle robot protagonist at its heart. Though Roz is different from the creatures she lives with or encounters—including her son, Brightbill the goose, and his new mate, Glimmerwing—she makes connections through her versatile communication abilities and her desire to understand and help others. When Roz accidentally discovers that the replacement body given to her by Dr. Molovo is waterproof, she sets out to seek help and discovers the human-engineered source of the toxic tide. Brown’s rich descriptions of undersea landscapes, entertaining conversations between Roz and wild creatures, and concise yet powerful explanations of the effect of the poison tide on the ecology of the island are superb. Simple, spare illustrations offer just enough glimpses of Roz and her surroundings to spark the imagination. The climactic confrontation pits oceangoing mammals, seabirds, fish, and even zooplankton against hardware and technology in a nicely choreographed battle. But it is Roz’s heroism and peacemaking that save the day.
Hugely entertaining, timely, and triumphant. (author’s note) (Fiction. 8-12)Pub Date: Sept. 26, 2023
ISBN: 9780316669412
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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