Setting his story during a time when antislavery sentiment was gaining momentum, Sanders (Here Comes the Mystery Man, 1993, etc.) tells the story of a Tennessee family of freed slaves who make their way north to begin a new life in Indiana. James Starman narrates this metaphor-studded tale of a lesser-known side of frontier settlement. His family follows the drinking gourd for more than a month of nights as the ``buttery bowl of the moon filled up then emptied again.'' A kind fisherman with a ``face as wrinkled as an old boot'' carries them across the Ohio to the free soil of Indiana. A Quaker gift of seed and a borrowed mule and plow enable them to work the land, eventually drawing family and friends from the South to form a new community they call Freedom. Inspired by the true story of Lyles Station, Indiana, Sanders sketches with broad strokes a fictionalized portrait of another kind of struggle for freedom. Allen's trademark pastels are rendered in predominant smoky blues that provide powerful keyhole glimpses of family and farm set starkly against white canvas, accentuating the austerity of the days of frontier homesteading. (Picture book. 6-9)
Pub Date: June 1, 1997
ISBN: 0-689-80470-9
Page Count: 32
Publisher: Atheneum
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 1, 1997
Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)
Pub Date: June 1, 2004
ISBN: 0-88240-575-6
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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