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A PRIVATE HISTORY OF AWE

An eloquent exploration of life and love by a writer with a most inquiring mind and capacious heart.

A graceful memoir of a Midwestern life, with frequent leaps to stories about the author’s granddaughter and mother, now suffering from Alzheimer’s in a nursing home.

Memoirist and essayist Sanders (English/Indiana Univ.; The Force of Spirit, 2000, etc.) has crafted here a fairly traditional but nonetheless emotional narrative of his own coming-of-age. With an initial grudging nod to “that notorious trickster, memory,” the author tells about his Tennessee childhood, his Ohio boyhood and adolescence, his collegiate years at Brown, his graduate studies at Cambridge and the beginning of his teaching career in Indiana. We learn about the struggles of his alcoholic father and the frustrations of his mother. We learn about books the author read, his sexual awakening, his astonishing love affair with his wife, Ruth. They met at a summer high-school science camp, wrote passionately to each other for five years (their correspondence comprised thousands of letters), then married shortly before sailing to England. In Cambridge, he became active in the anti–Vietnam War movement; he writes affectingly about the murders of Martin Luther King Jr. and Robert Kennedy. He writes well, too, about suffering and disappointment and despair. His young wife had a lumpectomy in London (benign) and suffered a miscarriage the night before he had to defend his dissertation. His anti-war and other leftist sentiments threatened to estrange him from his family. Sanders writes candidly about how Christianity bore him along for a while, then left him. But at its core this is a love story. Sanders responds with awe to the forces of nature (his text begins and ends with a thunderstorm), and he believes that love is how humans connect to them. Permeating all is the author’s love for the natural world, and, even more intimately, for his parents, his wife, his children, his granddaughter.

An eloquent exploration of life and love by a writer with a most inquiring mind and capacious heart.

Pub Date: Feb. 1, 2006

ISBN: 0-86547-693-4

Page Count: 336

Publisher: North Point/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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