Part memoir, part backyard gardening guide, and altogether charming.
Rotting organic matter inspires this collection of personal anecdotes, garden science, and historical digressions.
We meet the author behind a coffee shop in tony Westport, Connecticut, as he’s gleefully putting a garbage bag full of coffee grounds—still warm!—in his car. This brown gold is on its way to Smith’s compost pile, where its nitrogen will transform fall leaves into rich soil. His dumpster diving isn’t just a way to get free nutrients for his garden. By liberating these spent beans and reusing them, he’s keeping them out of an already overflowing landfill. He may also be keeping leaves out of a landfill; yard waste makes up a rather shocking amount of all that people throw away in the United States. Smith’s investment in his own patch of land extends to a concern for the environment generally, and his sense of alarm is woven throughout the text. But this diary of a gardener’s year is more than a call to action. Smith’s composting career began when he was an editor at a food magazine, and his cooking colleagues started giving him their kitchen scraps. The prose here is stylish but never showy. Smith’s sentences have the patient pacing of someone attuned to the seasons. Any observant and curious writer is likely to go off on tangents, and this writer certainly does. The author includes quotations from Wendell Berry and Henry David Thoreau, but he also shares Natalie Goldberg’s meditation on mental composting from Writing Down the Bones. Anyone claiming to be any kind of authority on compost would reveal themselves as a fraud without a chapter on worms, but not every author will mention that Cleopatra declared earthworms sacred or that the landmass that we call North America was denuded of earthworms during the last ice age, only returning with European settlers. Even when he offers glimpses of his personal life beyond the garden, Smith’s sense of time is connected to the state of his compost.
Part memoir, part backyard gardening guide, and altogether charming.Pub Date: July 1, 2024
ISBN: 9781960865069
Page Count: 350
Publisher: Christmas Lake Press
Review Posted Online: July 17, 2024
Kirkus Reviews Issue: Sept. 1, 2024
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Essential reading for any Twain buff and student of American literature.
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1200
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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