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GRANDMA'S TIPI

A PRESENT-DAY LAKOTA STORY

A love letter to Lakota traditions.

Two young Lakota children learn about their Indigenous culture from loving elders.

Clara can’t wait for an extended summer visit with her cousin Juniper and their unci (grandma) on the Standing Rock Reservation. The excitement only builds when Uncle Louie arrives in his red pickup with “a large canvas-cloth bundle” and “poles, as long as could be”—the family’s tipi, of which Unci is the keeper. Unci teaches Clara and Juniper through storytelling about “the circle of our tipi” and its connection to Cangleska Wakan, or the “Sacred Hoop.” Nelson (Standing Rock Sioux) depicts his people’s customs with reverence; from burning sweetgrass to painting the canvas walls with spirit pictures, the grandchildren’s cultural inheritance is illustrated with warm, beautifully textured details. Under Unci and Uncle Louie’s loving guidance, Clara and Juniper learn more of their Lakota traditions: drying meat into bah-pah (jerky), beading necklaces and traditional dresses, and the hilarious antics of heyokas (sacred clowns). These practices have endured over time, just like the family tipi, built to withstand heat, wind, and rain. When Clara’s time on the Standing Rock Reservation comes to an end, the rich lessons of her heritage stay with her—just as they will with young readers, who will be drawn in by both Nelson’s moving narration and glowing images. (This book was reviewed digitally.)

A love letter to Lakota traditions. (author’s note, photographs) (Picture book. 5-10)

Pub Date: May 9, 2023

ISBN: 9781419731921

Page Count: 40

Publisher: Abrams

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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IMANI'S MOON

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)

Pub Date: Oct. 14, 2014

ISBN: 978-1-934133-57-6

Page Count: 32

Publisher: Mackinac Island Press

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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