A memorable, necessary contribution to the national conversation on gun violence.
A meditative history of mass murder by gunfire.
Freelance journalist McGraw begins in 1966, when a former Marine climbed a tower at the University of Texas and began firing. When he was finally brought down after murdering 17 people, he was said to have had a brain tumor—though that did not prevent the shooter from amassing an arsenal and planning his spree. Of all the mass killings since—Columbine, Christchurch, Parkland, the list goes on—there are, notes the author, only a few points in common. Though assaults by gun are fewer than by fists or knives, “when an active shooter—and it is most often a male—does get his hands on a semiautomatic rifle, the results are catastrophic.” The string of catastrophes that McGraw chronicles ends with a shooting from a Las Vegas hotel window “a hundred feet higher than the Texas shooter” in which an astonishing 471 people were hit with bullets and 102 died. That shooter—McGraw is scrupulous, with a couple of willful exceptions, about not naming names, denying killers the publicity they crave—was not, strictly speaking, insane. He may have been evil, but that is an amorphous, fairly useless concept that helps remove agency. What can be said about the killers in general is that they’re psychologically troubled and make their troubles known before they act, oftentimes only to be ignored. One young man who slaughtered 26 people, many of them schoolchildren, was diagnosed with numerous mental health issues, yet his mother, a gun enthusiast, bought him weapon after weapon. She was the first to die. The ease with which such guns can be acquired (2 million have entered the market since the Newtown massacre) is one of many seemingly intractable problems. That, along with a would-be killer’s sense of entitlement, contributes to a legacy of incomprehensible violence, of which McGraw writes, with grim poetry, “There is no silence on earth deeper than the silence between gunshots.”
A memorable, necessary contribution to the national conversation on gun violence.Pub Date: April 13, 2021
ISBN: 978-1-4773-1718-1
Page Count: 232
Publisher: Univ. of Texas
Review Posted Online: Feb. 23, 2021
Kirkus Reviews Issue: March 15, 2021
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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