Highly recommended for fans of thrillers in the vein of Dan Brown’s and Robert Harris’ works.
In Heary’s debut thriller, the Catholic Church goes to great lengths to protect its reputation while the Kremlin is determined to destroy it.
When history teacher Maximilian Wolf in Bonn, Germany, discovers a written agreement, or concordat, between the Vatican and Adolf Hitler among his late father’s possessions, the Vatican’s senior clerics quickly dismiss it as a forgery. Dated June 1, 1939, it almost exactly follows the style and format of another, genuine document, the Reichskonkordat of 1933, which is enough to raise suspicions of foul play. Crucially, the new concordat, which purports to have been signed only three months prior to Germany’s invasion of Poland, hints at an anti-Russian pact between the Nazis and the Holy See, which would have shocking political ramifications. Its inauthenticity is likely, but the potential for it to be used as a propaganda tool worries the Vatican enough that they’re willing to pay Wolf for it. The head of the Vatican’s police force, Inspector Gen. Enzo Rossi, is assigned the task of recovering the document; when he arrives for a meeting with Wolf, he instead finds two dead bodies—and no concordat. Assuming, rightly, that the document has fallen into Russian hands, and that the Russians intend to use it as political leverage against the church, Rossi sets off, with the aid of CIA agent Cathy Doherty, on a time-sensitive mission to track down the thief. Overall, this novel is an impressive addition to a well-stocked thriller market. Fast-paced, intelligent conspiracy tales are hardly thin on the ground, nor are novels about Vatican-related scandal, so it takes something special to stand out from the crowd, which Heary provides here. His strengths lie in his ability to fuse dramatic tension, political intrigue, and even wry humor into a narrative that manages to be simultaneously informative and escapist. His attention to detail is particularly noteworthy; the years that he spent living in Moscow enable him to write with an authority that eludes many other thriller authors mining similar material.
Highly recommended for fans of thrillers in the vein of Dan Brown’s and Robert Harris’ works.Pub Date: June 20, 2018
ISBN: 978-1-78901-344-3
Page Count: 416
Publisher: Troubador Publishing Ltd.
Review Posted Online: Feb. 11, 2020
Kirkus Reviews Issue: April 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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