Inspired perhaps by the superhuman leaps in martial arts or Spiderman movies, Taylor and Ingman follow a champion trampoliner dubbed the “Great Elastic Marvel” as he inadvertently catapults himself out of a high window, then narrowly escapes one deadly fall after another thanks to a pile of mattresses, an awning, and other conveniently placed springy surfaces. Ingram goes for a postmodern, Maira Kalman look, creating variously canted aerial scenes with swaths of violently contrasting color, compressed perspectives, and flat figures delineated by just a few strokes of pen or brush. His art offers some visual energy, but it never quite matches the stomach-dropping vertigo awaiting viewers of Mordicai Gerstein’s Man Who Walked Between the Towers (2003). Having soared all over town, Great Elastic Marvel flies back through his window, crash-lands, and is last seen bouncing merrily through a hospital ward, impeded not at all by a plaster fanny-cast. You just can’t keep a good trampolinist down—but that sense of wild motion isn’t quite there. Good premise, but perhaps more suited to film than paper. (Picture book. 6-8)
Pub Date: July 1, 2004
ISBN: 0-7636-2475-6
Page Count: 56
Publisher: Candlewick
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 15, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Thanks to parrot-toting Braidbeard and his gloriously disreputable crew, a lad discovers the ups and downs of a pirate’s life in this rousing mini-epic. His mom and dad busy on another part of the beach, young Jeremy happily joins a band of hook-handed, eye-patched, snaggle-toothed pirates aboard their ship, learning pirate table manners (none), enjoying a game of nautical soccer until a shark eats the ball, then happily retiring without having to brush teeth, or even don pajamas. But then Jeremy learns that pirates don’t get tucked in, or get bedtime stories, and as for good night kisses—Avast! Worse yet, no one offers comfort when a storm hits. So, giving over the pirate’s life, Jeremy shows the crew where to bury its treasure (his backyard), and bids them goodbye. Shannon outfits Braidbeard’s leering, pop-eyed lot in ragged but colorful pirate dress, and gives his young ruffian-in-training a belt and bandanna to match. This isn’t likely to turn pirate wannabees into landlubbers, but it will inspire a chorus of yo-ho-hos. (Picture book. 6-8)
Pub Date: Sept. 1, 2003
ISBN: 0-15-201848-4
Page Count: 44
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A trite, knock-off sequel to Jumanji (1981). The “Jumanji” box distracts Walter Budwing away from beating up on his little brother Danny, but it’s Danny who discovers the Zathura board inside—and in no time, Earth is far behind, a meteor has smashed through the roof, and a reptilian Zyborg pirate is crawling through the hole. Each throw of the dice brings an ominous new development, portrayed in grainy, penciled freeze frames featuring sculptured-looking figures in constricted, almost claustrophobic settings. The angles of view are, as always, wonderfully dramatic, but not only is much of the finer detail that contributed to Jumanji’s astonishing realism missing, the spectacular damage being done to the Budwings’ house as the game progresses is, by and large, only glimpsed around the picture edges. Naturally, having had his bacon repeatedly saved by his younger sibling’s quick thinking, once Walter falls through a black hole to a time preceding the game’s start, his attitude toward Danny undergoes a sudden, radical transformation. Van Allsburg’s imagination usually soars right along with his accomplished art—but here, both are just running in place. (Picture book. 6-8)
Pub Date: Oct. 28, 2002
ISBN: 0-618-25396-3
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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