by Sean Taylor ; illustrated by Jean Jullien ‧ RELEASE DATE: July 11, 2017
Little Monster takes the idea of a story from something on a page to something to be lived.
Little Monster wants to be in a scary story…or maybe not.
In a tale told entirely in dialogue, an unseen narrator, whose text is set in black type, interacts with purple Little Monster, who, following suit, speaks in purple. The enthusiastic (and adorable, with two little white horn nubbins on its oversize head, big yellow eyes, and three teeth that sometimes change position) Little Monster eschews the narrator’s idea that it star in a funny story—it wants a scary story. But when the narrator plops it down in a dark and scary wood outside a haunted house, Little Monster’s dialogue bubble says “Oh my golly gosh!” Its body language and wide-eyed fright fill in the gaps. The narrator dials back the scary in stages, Little Monster’s quaint expressions continuing as everything is still too frightening for it—though it does lose some of its naiveté along the way, learning to ask specific questions of the narrator. Jullien’s illustrations are suitably creepy, but because the narrator tells Little Monster in advance what will happen with each turn of the page, they shouldn’t be anything readers can’t handle, and the jump at the end is a satisfying one. And after the final page, readers may just be asking along with Little Monster, “So, can I be in a story again tomorrow?”
Little Monster takes the idea of a story from something on a page to something to be lived. (Picture book. 3-7)Pub Date: July 11, 2017
ISBN: 978-0-7636-8953-7
Page Count: 32
Publisher: Candlewick
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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