Flawless, honest, humane, moving.
Barry’s prequel to the fine Annie Dunne (2002) turns to WWI for the story of a young Dublin soldier who loses love, crown, country, and family in the war-torn desolation.
Willie Dunne is the older brother of Annie (she was born in 1900), and all might have been very different for them indeed had Willie only grown tall enough to have entered the metropolitan police force. His own stern and principled father was himself Dublin’s chief superintendent of police, looking very much the part from his towering height of six-foot-six, an entire foot above small Willie, only son among four siblings in this motherless family. Since six feet was required for entering the force, Willie was impelled in other directions—and there did happen to be the war (“if he could not be a policeman, he could be a soldier”). And so he ships out for Belgium, leaving behind his beloved Gretta, whom he’d met when she was only 13 (and he 17). Barry is authentic and unflinching as a novelist of the war, neither sparing nor overdramatizing anything as Willie goes under fire, sees death all around him, undergoes his first gas attack, even visits a brothel—an incident, indirectly, that will bring about his loss of Gretta. But politics is what really traps Willie. At the end of a home leave, he and other troops are employed in putting down the Irish nationalists’ Easter 1916 uprising, and, when he sees the nationalists simply shot down, Willie’s own sense of identity with them is awakened. A letter home carries a hint of this feeling, and on Willie’s next leave, his father—conservative, royalist, servant of three monarchs—bans him from his home. Back on the front, Willie no longer has Gretta, is despised by the Irish nationalists for serving England, by the loyalists for sympathizing with the nationalists, and by the English for being Irish. Willie’s end will be alone—and utterly, utterly pointless.
Flawless, honest, humane, moving.Pub Date: Feb. 7, 2005
ISBN: 0-670-03380-4
Page Count: 288
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2004
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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