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MY UNCLE IS COMING TOMORROW

A hard truth for hard times.

A bench and a closed door mark the milestones in an excited child’s life.

The child grows older as they faithfully await a beloved uncle who never shows. As the protagonist sits watching the door, they excitedly note the things they’ll tell their uncle about: their progress in school, an upcoming move, their new son. In scene after scene, time trundles on as the child evolves into a teen and then an adult and finally to nothing but a memory in the fruitless anticipation of a dream never realized. The uncle, it is later explained, has become one of the “disappeared.” Santana Camargo’s deceptively simple black line drawings against stark white paper allow for no meandering of attention. The protagonist’s—and readers’—focus is on the door that remains shut. Each unwaveringly hopeful line begins with “Great!” in anticipation of the visit (“Great! Then I can tell him about this girl that I like”)—and in contrast to the unseen bleak reality. The author’s unsentimental bilingual text, in English and Spanish, gives no hint as to the reason behind the protagonist’s continued pining—until the afterword, which states that though people have disappeared throughout history, during the Cold War, many governments began using the practice as a “systematic instrument of terror.” Though, according to the backmatter, this story takes place in South America, Santana Camargo notes that people have been disappeared in other places, such as Indonesia. The protagonist has few facial figures and skin the color of the page. (This book was reviewed digitally.)

A hard truth for hard times. (Picture book. 9-11)

Pub Date: Aug. 30, 2022

ISBN: 978-1-77840-006-3

Page Count: 40

Publisher: Aldana Libros/Greystone Kids

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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MUSTACHES FOR MADDIE

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.

A 12-year-old copes with a brain tumor.

Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62972-330-3

Page Count: 256

Publisher: Shadow Mountain

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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