Smee takes readers deep into the beginnings of modern art in a way that not only enlightens, but also builds a stronger...
An exploration of the relationships among eight artists who were friends, mentors, and/or rivals and the particular incidents that changed their lives.
It may have been a portrait sitting, an exchange of works, a studio visit, or the opening of an exhibition. However they came to pass, writes Pulitzer Prize–winning Boston Globe art critic Smee (Nonfiction Writing/Wellesley Coll.; Freud, 2015, etc.), these relationships greatly affected the psyches of some of the greatest artists of their time. Some have cast them as rivals, others as enemies, but the author rejects many of these opinions. Francis Bacon’s influence on Lucian Freud helped loosen his style, and Jackson Pollock’s works drove Willem de Kooning to open up his manner of creation. All were undeniable talents, and their abilities were changed significantly by these relationships. However, none of them was ever an acolyte (imagine Pablo Picasso ever admitting anyone was better than he). Henri Matisse said it best in that he could never tolerate rivals, but he thrived in their presence. They all sought radical originality, and each man’s art was affected by lovers, successes, and failures, as well as hard drinking and brave collectors of modern art like Peggy Guggenheim and Gertrude and Sarah Stein. Would Edgar Degas ever have moved out into Paris’ streets without Edouard Manet’s urging ,or would Picasso ever have moved to cubism without the specter of Matisse’s maturity and pressure? In addition to digging into these intimate relationships, Smee explains their work in in an accessible way. He clearly and vividly explains the monumental effect each man had on modern art, from Manet’s daring Olympia to Pollock’s Number 1.
Smee takes readers deep into the beginnings of modern art in a way that not only enlightens, but also builds a stronger appreciation of the influences that created the environment that fostered its development.Pub Date: Aug. 16, 2016
ISBN: 978-0-8129-9480-3
Page Count: 416
Publisher: Random House
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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