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I LOVE MY DADDY

Parent-child bonding has never looked cozier, as a huge brown Papa bear and a very small cub spend quality time together from dawn till dusk in a leafy forest. The cub takes the narrative lead: “My daddy wakes me. My daddy feeds me,” and so on, until after “My daddy cuddles me” the pair drowse to the simple declaration, “I love my daddy.” Braun depicts hazy-edged figures and settings in long brushstrokes of golden toned browns and yellows, on a bottom layer of cool, green, flower-strewn grass. In a companion volume, I Love My Mommy (ISBN: 0-06-054310-8), he uses a similar arc and some of the same lines, but includes more abstract observations—“My mommy works really hard,” “My mommy is always there for me”—and depicts a different animal pair on each spread. Both make perfect fare for an intimate shared reading, though parents may come away feeling a little pressured by the high expectations. (Picture book. 3-5)

Pub Date: April 1, 2004

ISBN: 0-06-054311-6

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2004

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LOLA LOVES STORIES

From the Lola & Leo series

Lola’s daddy takes her to the library every Saturday, where she finds “excellent books,” and every night her mommy or daddy reads them to her. The next day Lola acts out the story. On Sunday she’s a fairy princess; on Monday she takes her toy animals “on fantastic trips to places like Paris”; on Wednesday she’s a tiger, etc. Each new book and day provides Lola with a variety of tales to play out, with the last one—which is about a wild monster—posing the question, “What will Lola be tomorrow?” The final page shows her in a wolf suit just like Max’s. The library books, the pretending and the incorporation of the days of the week work together as a simple and pleasing premise. Beardshaw’s acrylic illustrations depict the multicultural kids and Lola’s black family with childlike charm, while the title will have librarians, parents and booksellers smiling. Alert: The book will be an invitation for lap kids to follow Lola’s lead—not such a bad thing. (Picture book. 3-5)

Pub Date: July 1, 2010

ISBN: 978-1-58089-258-2

Page Count: 28

Publisher: Charlesbridge

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: June 1, 2010

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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