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RAJ AND THE BEST VACATION EVER!

A sweet and satisfying book about a vacation that goes wrong before it goes right.

Raj the tiger cub and Dad are going camping.

Raj has read lots of books about camping and knows just what to expect: meals cooked on a camp stove, nights spent in a tent, days spent hiking mountains, and—maybe if they’re lucky—a ride in a canoe. Raj is convinced that this is going to be the best vacation ever. But when the tigers finally reach the campsite, things don’t go quite as expected. Raj’s father has a hard time putting up the tent in the evening and lighting the camp stove for breakfast. When they go on a mountain hike together, the tigers run out of water. The tigers camp near a bear family who all seem to be experienced campers, but Raj’s father constantly turns down their offers of help—at least until the tigers end up taking a wrong turn down the river. Despite all the difficulties they face, Raj is still convinced that their camping trip is the best vacation ever. Braun balances both child-friendly and adult-friendly humor, making it a pleasure for adults and children to read together. The illustrations are teeming with movement, life, and detail, and they are sure to delight children who are close observers. Although the father tiger’s inability to accept help from the bear family feels like a strangely adult conflict in what ought to be a child-centered book, generally the story is entertaining to read. (This book was reviewed digitally with 11.4-by-17.6-inch double-page spreads viewed at 55.1% of actual size.)

A sweet and satisfying book about a vacation that goes wrong before it goes right. (Picture book. 3-6)

Pub Date: March 30, 2021

ISBN: 978-1-5362-1705-6

Page Count: 40

Publisher: Templar/Candlewick

Review Posted Online: Feb. 8, 2021

Kirkus Reviews Issue: March 1, 2021

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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