Mind-stretching tales of synthetic fauna, not to be confused with the Marilyn Manson rock album of the same title.
A sci-fi anthology delivers 22 short stories, vintage novel excerpts, and nonfiction essays on the theme of robotic/cybernetic beings modeled after animals.
Strange flowers indeed bloom in this garden, gathered and creatively arranged by sci-fi/fantasy editors Chambers (Calls for Submission, 2017, etc.) and Heller (Strange Stars, 2018, etc.). They offer a particularly unusual subject via brief works based on (or tangential to) the idea of animal robots, cyborgs, or automata. Such a narrow focus might limit the appeal and quality of the material, and indeed there is a preponderance of eco-dystopic, what-happens-after-all-the-wildlife-becomes-extinct tropes. But the variegated imaginations of the writers burst off the page nonetheless. Here and there among the newcomers (and seemingly cued by pop historian Jess Nevins’ eponymous essay about animal simulacra in fiction and folklore going back centuries) are nested heirlooms from the early masters of fantasy. There are pieces by Nathaniel Hawthorne, Robert T. Toombs, Hans Christian Andersen—the one about a Chinese emperor’s clockwork nightingale, a classic not yet adapted by Disney—and, of course, Jules Verne. A steampunk influence shows up vividly in Delia Sherman’s “Brass Monkey,” which is mock-Victorian in its setting, voice, and sentiments, as a faithful faux simian helps its creators stop a counterfeiting ring. More troubling and timely is Jesse Bullington’s “Stray Frog,” envisioning a future in which police brutality is countered (theoretically) by making cops wield toxin-spitting GMO organisms that they must care for and nurture rather than cold, steel firearms. Seldom does the technology venture into the nuts-and-bolts descriptions of hard-sci-fi territory (the major exception: An Owomoyela’s “The Hard Spot in the Glacier,” a space-survival piece starring a centipede-shaped mecha). More often, there is science speculation transmuting the hows and whys into poetry, magic, art, or fairy tale, more effective in some literary experiments than others but always rewarding. From the doom-laden to the heroic, attitudes toward the concept of robotic animals at large run the gamut (although no stories seem to reflect Japanese anime and manga culture’s giddy positivity over robo critters, especially android cats). But the collection ends on an up note with Carrie Vaughn’s “Closer to the Sky,” a Western yarn featuring a bionic horse, arguably the most accessible entry for mainstream readers.
Mind-stretching tales of synthetic fauna, not to be confused with the Marilyn Manson rock album of the same title.Pub Date: Nov. 27, 2018
ISBN: 978-0-9997736-7-3
Page Count: 418
Publisher: Hex Publishers
Review Posted Online: Nov. 1, 2018
Kirkus Reviews Issue: Dec. 15, 2018
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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